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This chapter might have been written by a machine

This chapter might have been written by a machine
This chapter might have been written by a machine
The lack of certainties in our digitally saturated world has been manifested itself in all traditional media, including the most fixed: the printed page. Having first simulated, then plausibly imitated and now almost replaced the way we create content, the software component is taking a central role in the various creation processes.
In this scenario, the ’deep fakes’ test our ability to discriminate and increasingly fail, as the original elements become indistinguishable from the computed ones, or are simply not mentioned. In ‘algorithmic authorship’, software machines use vast corpora that redefine our notion of the ability to produce texts, and create a new ecology of writing. This ecology has many problems: it is biased, automatic and taken for granted. Then, ”context”, the most crucial conceptual infrastructure, is the last bastion of publishing to defend history and knowledge before it is delegated to machines.
221-229
i2ADS – Research Institute in Art, Design and Society
Ludovico, Alessandro
3b5897e7-0cfa-4325-a36b-19df819e581f
Carvalhais, Miguel
Rangel, André
Ribas, Luisa
Verdicchio, Mario
Ludovico, Alessandro
3b5897e7-0cfa-4325-a36b-19df819e581f
Carvalhais, Miguel
Rangel, André
Ribas, Luisa
Verdicchio, Mario

Ludovico, Alessandro (2022) This chapter might have been written by a machine. In, Carvalhais, Miguel, Rangel, André, Ribas, Luisa and Verdicchio, Mario (eds.) The Book of X: 10 Years of Computation, Communication, Aesthetics & X. Porto. i2ADS – Research Institute in Art, Design and Society, pp. 221-229. (doi:10.24840/978-989-9049-26-0).

Record type: Book Section

Abstract

The lack of certainties in our digitally saturated world has been manifested itself in all traditional media, including the most fixed: the printed page. Having first simulated, then plausibly imitated and now almost replaced the way we create content, the software component is taking a central role in the various creation processes.
In this scenario, the ’deep fakes’ test our ability to discriminate and increasingly fail, as the original elements become indistinguishable from the computed ones, or are simply not mentioned. In ‘algorithmic authorship’, software machines use vast corpora that redefine our notion of the ability to produce texts, and create a new ecology of writing. This ecology has many problems: it is biased, automatic and taken for granted. Then, ”context”, the most crucial conceptual infrastructure, is the last bastion of publishing to defend history and knowledge before it is delegated to machines.

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Published date: 2022
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Local EPrints ID: 469172
URI: http://eprints.soton.ac.uk/id/eprint/469172
PURE UUID: d1d7df75-9baa-4e7b-9ad1-1bcbae33cac6

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Date deposited: 08 Sep 2022 17:06
Last modified: 16 Mar 2024 21:34

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Contributors

Editor: Miguel Carvalhais
Editor: André Rangel
Editor: Luisa Ribas
Editor: Mario Verdicchio

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