Polytropos Project: Experiments In Blending
Polytropos Project: Experiments In Blending
The purpose of this paper is to present the Polytropos Project: art experiments exploring the blending of elements from multiple mediums of expression and communication including sound, language, image and movement. The theory underlying and directing the process of blending is Goguen’s computational account of conceptual blending complemented by an understanding of style
as a choice of blending principles . We believe such experiments can provide insights into the mechanism of conceptual blending and how this bears on the understanding of human cognition, ultimately allowing us to explore the creative possibilities of computational conceptual blending in the field of multimedia art practice.
61-66
Mamakos, Christina
09ccc4d8-3e8b-4bcd-a96b-b32306d0aa80
Dimarogkona, Maria
f9e7a761-881d-49b3-9147-4a1d386ec538
Ireson-Paine, Jocelyn
25042743-093c-41f5-95fd-89d86e72d0a8
15 August 2014
Mamakos, Christina
09ccc4d8-3e8b-4bcd-a96b-b32306d0aa80
Dimarogkona, Maria
f9e7a761-881d-49b3-9147-4a1d386ec538
Ireson-Paine, Jocelyn
25042743-093c-41f5-95fd-89d86e72d0a8
Dimarogkona, Maria and Ireson-Paine, Jocelyn
,
Petros Stefaneas
(2014)
Polytropos Project: Experiments In Blending.
Kühnberger, Kai-Uwe, König, Peter and Walter, Sven
(eds.)
In Proceedings of the Workshop “Computational Creativity, Concept Invention, and General Intelligence”.
vol. 1,
Universität Osnabrück.
.
Record type:
Conference or Workshop Item
(Paper)
Abstract
The purpose of this paper is to present the Polytropos Project: art experiments exploring the blending of elements from multiple mediums of expression and communication including sound, language, image and movement. The theory underlying and directing the process of blending is Goguen’s computational account of conceptual blending complemented by an understanding of style
as a choice of blending principles . We believe such experiments can provide insights into the mechanism of conceptual blending and how this bears on the understanding of human cognition, ultimately allowing us to explore the creative possibilities of computational conceptual blending in the field of multimedia art practice.
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More information
Published date: 15 August 2014
Identifiers
Local EPrints ID: 469220
URI: http://eprints.soton.ac.uk/id/eprint/469220
ISSN: 1610-5389
PURE UUID: a0d9864a-369a-489d-a973-7197ed1b6047
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Date deposited: 09 Sep 2022 16:39
Last modified: 16 Mar 2024 22:11
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Contributors
Author:
Maria Dimarogkona
Author:
Jocelyn Ireson-Paine
Editor:
Kai-Uwe Kühnberger
Editor:
Peter König
Editor:
Sven Walter
Corporate Author: Petros Stefaneas
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