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Investigating curatorial voice with corpus linguistic techniques: the case of Dorothy George and applications in museological practice

Investigating curatorial voice with corpus linguistic techniques: the case of Dorothy George and applications in museological practice
Investigating curatorial voice with corpus linguistic techniques: the case of Dorothy George and applications in museological practice
We seek to demonstrate how corpus linguistic techniques can facilitate a comprehensive account of curatorial voice in a large digitised museum catalogue and hence leverage its value as a resource for generating new knowledge about: curatorial practice; the historical and cultural contexts of curation; and, the content of collections. We worked with 1.1 million words written by the historian M. Dorothy George between 1930 and 1954 to describe 9330 late-Georgian satirical prints. George’s curatorial descriptions were analysed in terms of their typical informational content and with regards to the extent George included interpretation and evaluation in her descriptions. We discuss how results from such analyses can provide a basis for addressing questions about George’s curatorial voice and, more generally, suggest how this approach could benefit museological practice around the production of descriptions and the re-purposing of legacy catalogues for digital access and analysis of collections.
1479-8360
151-169
Salway, Andrew
e1051293-ad61-4d84-ad5f-02508e7b5d11
Baker, James
96e66490-0844-46eb-bc81-fbbc6bf38692
Salway, Andrew
e1051293-ad61-4d84-ad5f-02508e7b5d11
Baker, James
96e66490-0844-46eb-bc81-fbbc6bf38692

Salway, Andrew and Baker, James (2020) Investigating curatorial voice with corpus linguistic techniques: the case of Dorothy George and applications in museological practice. Museum & Society, 18 (2), 151-169. (doi:10.29311/mas.v18i2.3175).

Record type: Article

Abstract

We seek to demonstrate how corpus linguistic techniques can facilitate a comprehensive account of curatorial voice in a large digitised museum catalogue and hence leverage its value as a resource for generating new knowledge about: curatorial practice; the historical and cultural contexts of curation; and, the content of collections. We worked with 1.1 million words written by the historian M. Dorothy George between 1930 and 1954 to describe 9330 late-Georgian satirical prints. George’s curatorial descriptions were analysed in terms of their typical informational content and with regards to the extent George included interpretation and evaluation in her descriptions. We discuss how results from such analyses can provide a basis for addressing questions about George’s curatorial voice and, more generally, suggest how this approach could benefit museological practice around the production of descriptions and the re-purposing of legacy catalogues for digital access and analysis of collections.

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Published date: 1 July 2020

Identifiers

Local EPrints ID: 470124
URI: http://eprints.soton.ac.uk/id/eprint/470124
ISSN: 1479-8360
PURE UUID: 8e159616-3a5c-4164-b3d1-6b9affaa2743
ORCID for James Baker: ORCID iD orcid.org/0000-0002-2682-6922

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Date deposited: 03 Oct 2022 17:00
Last modified: 05 Sep 2024 01:59

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Contributors

Author: Andrew Salway
Author: James Baker ORCID iD

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