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Decolonising responses to ‘engaged art’: disposability and neoimperialism in art, activism and academia

Decolonising responses to ‘engaged art’: disposability and neoimperialism in art, activism and academia
Decolonising responses to ‘engaged art’: disposability and neoimperialism in art, activism and academia
This article examines the limits of ‘engaged art’ via two case studies: Vik Muniz's photoseries Pictures of Garbage (2008, Brazil) and Alejandro Cartagena's photoseries Carpoolers (2011–2012, Mexico). Both highlight an ongoing need to decolonise the process of narrative creation and the scholarship/viewership that responds to this form of art. By exploring the different issues that arise when considering ‘engaged art’ alongside the urgent need to decolonise scholarly approaches to such works, the authors consider the literal and metaphorical toxicity of neoliberal societies, and the academic and media discourses analysing art produced in this context.
0261-3050
Champion, Giulia
1eea3a93-f0d1-44e0-a438-ead183ea6f62
Wax-Edwards, Jessica
85e11dca-3ebd-4231-8085-b31cb065ce84
Champion, Giulia
1eea3a93-f0d1-44e0-a438-ead183ea6f62
Wax-Edwards, Jessica
85e11dca-3ebd-4231-8085-b31cb065ce84

Champion, Giulia and Wax-Edwards, Jessica (2021) Decolonising responses to ‘engaged art’: disposability and neoimperialism in art, activism and academia. Bulletin of Latin American Research. (doi:10.1111/blar.13270).

Record type: Article

Abstract

This article examines the limits of ‘engaged art’ via two case studies: Vik Muniz's photoseries Pictures of Garbage (2008, Brazil) and Alejandro Cartagena's photoseries Carpoolers (2011–2012, Mexico). Both highlight an ongoing need to decolonise the process of narrative creation and the scholarship/viewership that responds to this form of art. By exploring the different issues that arise when considering ‘engaged art’ alongside the urgent need to decolonise scholarly approaches to such works, the authors consider the literal and metaphorical toxicity of neoliberal societies, and the academic and media discourses analysing art produced in this context.

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Bull Latin American Res - 2021 - Champion - Decolonising Responses to Engaged Art Disposability and Neoimperialism in - Version of Record
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e-pub ahead of print date: 8 June 2021

Identifiers

Local EPrints ID: 473004
URI: http://eprints.soton.ac.uk/id/eprint/473004
ISSN: 0261-3050
PURE UUID: 2b4b3693-8c10-4224-8778-07f0b54fb4b3

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Date deposited: 06 Jan 2023 17:59
Last modified: 16 Mar 2024 23:24

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Contributors

Author: Giulia Champion
Author: Jessica Wax-Edwards

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