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Looking beyond interaction: exploring meaning-making through the windows of an art gallery

Looking beyond interaction: exploring meaning-making through the windows of an art gallery
Looking beyond interaction: exploring meaning-making through the windows of an art gallery
How is meaning produced in and around the art gallery? Sociological answers to this question are limited by a narrow focus on inter-gallery group interaction and cognitive interpretation. I argue that such approaches would be strengthened by accounting for the diverting effects of gallery context and atmosphere, both in and beyond the gallery. Art gallery windows offer a lens through which to explore how issues of context and atmosphere are negotiated in and around an art gallery in everyday life. I trial this approach using data from a 14-month case study of Bluecoat, a city center art gallery in Liverpool, UK, which has a series of windows that mediate between the gallery and the neighboring shopping street. The windows partition zones of meaning, frame vision, contribute to the symbolic meanings of a gallery’s exterior architecture, and modulate its interior atmosphere. The analysis models a meaning-centered sociology of the art gallery that moves beyond interpretation and toward a broader understanding of the currents of meaning in and around the art gallery
223-250
Palgrave Macmillan
Harris, Laura
400fa14a-eb29-4d11-9377-97680f5401d4
McCormick, Lisa
Harris, Laura
400fa14a-eb29-4d11-9377-97680f5401d4
McCormick, Lisa

Harris, Laura (2022) Looking beyond interaction: exploring meaning-making through the windows of an art gallery. In, McCormick, Lisa (ed.) The Cultural Sociology of Art and Music: New Directions and New Discoveries. (Cultural Sociology) Palgrave Macmillan, pp. 223-250. (doi:10.1007/978-3-031-11420-5_9).

Record type: Book Section

Abstract

How is meaning produced in and around the art gallery? Sociological answers to this question are limited by a narrow focus on inter-gallery group interaction and cognitive interpretation. I argue that such approaches would be strengthened by accounting for the diverting effects of gallery context and atmosphere, both in and beyond the gallery. Art gallery windows offer a lens through which to explore how issues of context and atmosphere are negotiated in and around an art gallery in everyday life. I trial this approach using data from a 14-month case study of Bluecoat, a city center art gallery in Liverpool, UK, which has a series of windows that mediate between the gallery and the neighboring shopping street. The windows partition zones of meaning, frame vision, contribute to the symbolic meanings of a gallery’s exterior architecture, and modulate its interior atmosphere. The analysis models a meaning-centered sociology of the art gallery that moves beyond interpretation and toward a broader understanding of the currents of meaning in and around the art gallery

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Published date: December 2022

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Local EPrints ID: 474315
URI: http://eprints.soton.ac.uk/id/eprint/474315
PURE UUID: ba0d1c0e-c510-40af-bb6f-dee9250676e2
ORCID for Laura Harris: ORCID iD orcid.org/0000-0001-9146-1168

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Date deposited: 17 Feb 2023 17:46
Last modified: 17 Mar 2024 04:17

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Contributors

Author: Laura Harris ORCID iD
Editor: Lisa McCormick

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