Contradictory Senses: Making After Modernism
Contradictory Senses: Making After Modernism
The exhibition's vantage point considers the intersections such responses hold toward what shapes the contemporary world. Through tactics of revisiting and reinterpreting, the artworks gathered bring attention to what affects and constructs lived experience.
The exhibition title - Contradictory Senses - is taken from Raymond Williams' examination of the word 'improve' in his 1976 text Keywords: A Vocabulary of Culture and Society.
Join us for a tour beginning at 3pm at St. Carthage Hall to see Contradictory Senses, followed by a short walk to see Origins at The Mill, departing St Carthage Hall at 4pm.
Hayden, Sarah
cf6b5dc1-acda-4983-83e6-ad2d96e73764
3 September 2022
Hayden, Sarah
cf6b5dc1-acda-4983-83e6-ad2d96e73764
Hayden, Sarah
(2022)
Contradictory Senses: Making After Modernism.
Abstract
The exhibition's vantage point considers the intersections such responses hold toward what shapes the contemporary world. Through tactics of revisiting and reinterpreting, the artworks gathered bring attention to what affects and constructs lived experience.
The exhibition title - Contradictory Senses - is taken from Raymond Williams' examination of the word 'improve' in his 1976 text Keywords: A Vocabulary of Culture and Society.
Join us for a tour beginning at 3pm at St. Carthage Hall to see Contradictory Senses, followed by a short walk to see Origins at The Mill, departing St Carthage Hall at 4pm.
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Published date: 3 September 2022
Identifiers
Local EPrints ID: 474553
URI: http://eprints.soton.ac.uk/id/eprint/474553
PURE UUID: bb8e94e4-bd60-4cef-b6e8-afb4e2c2a931
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Date deposited: 24 Feb 2023 17:44
Last modified: 24 Feb 2023 17:44
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