The Hidden Heritage of Film Music: History and Scholarship
The Hidden Heritage of Film Music: History and Scholarship
Contents
Introduction Chapter One: The Hidden Heritage of Film Music: History and Scholarship K. J. Donnelly
Chapter Two: Analytical and Interpretive Approaches to Film Music (I): Analysing the Music David Neumeyer and James Buhler
Chapter Three: Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film James Buhler
Chapter Four: ‘In the Mix’: How Electrical Producers Facilitated the Transition to Sound in British Cinemas Michael Allen
Chapter Five: King Kong and Film on Music (Out of the Fog) Peter Franklin
Chapter Six: The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music William H. Rosar
Chapter Seven: The Documentary Film Scores of Gail Kubik Alfred W. Cochran
Chapter Eight: Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot Caryl Flinn
Chapter Nine: Performance and the Composite Film Score K.J. Donnelly
Chapter Ten: Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape Robynn J. Stilwell
Chapter Eleven: ‘Would You like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino Ken Garner
0748612882
1-15
Edinburgh University Press
Donnelly, Kevin
528e9512-698d-4bc2-8f28-b023b5c788b7
2001
Donnelly, Kevin
528e9512-698d-4bc2-8f28-b023b5c788b7
Donnelly, Kevin
(2001)
The Hidden Heritage of Film Music: History and Scholarship.
In,
Donnelly, Kevin
(ed.)
Film Music: Critical Approaches.
Edinburgh, UK; New York, USA.
Edinburgh University Press, .
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Abstract
Contents
Introduction Chapter One: The Hidden Heritage of Film Music: History and Scholarship K. J. Donnelly
Chapter Two: Analytical and Interpretive Approaches to Film Music (I): Analysing the Music David Neumeyer and James Buhler
Chapter Three: Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film James Buhler
Chapter Four: ‘In the Mix’: How Electrical Producers Facilitated the Transition to Sound in British Cinemas Michael Allen
Chapter Five: King Kong and Film on Music (Out of the Fog) Peter Franklin
Chapter Six: The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music William H. Rosar
Chapter Seven: The Documentary Film Scores of Gail Kubik Alfred W. Cochran
Chapter Eight: Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot Caryl Flinn
Chapter Nine: Performance and the Composite Film Score K.J. Donnelly
Chapter Ten: Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape Robynn J. Stilwell
Chapter Eleven: ‘Would You like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino Ken Garner
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More information
Published date: 2001
Additional Information:
I also wrote the chapter "Performance and the Composite Film Score". This book was one of the first edit collections on film music.
Identifiers
Local EPrints ID: 47514
URI: http://eprints.soton.ac.uk/id/eprint/47514
ISBN: 0748612882
PURE UUID: 9d8219f8-ad9d-4c53-a75f-a03633620325
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Date deposited: 31 Jul 2007
Last modified: 03 Jan 2024 16:13
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Contributors
Author:
Kevin Donnelly
Editor:
Kevin Donnelly
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