Performance and the Composite Film Score


Donnelly, Kevin (2001) Performance and the Composite Film Score In, Donnelly, Kevin (eds.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum pp. 152-166.

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Contents
Introduction Chapter One: The Hidden Heritage of Film Music: History and Scholarship K. J. Donnelly
Chapter Two: Analytical and Interpretive Approaches to Film Music (I): Analysing the Music David Neumeyer and James Buhler
Chapter Three: Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film James Buhler
Chapter Four: ‘In the Mix’: How Electrical Producers Facilitated the Transition to Sound in British Cinemas Michael Allen
Chapter Five: King Kong and Film on Music (Out of the Fog) Peter Franklin
Chapter Six: The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music William H. Rosar
Chapter Seven: The Documentary Film Scores of Gail Kubik Alfred W. Cochran
Chapter Eight: Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot Caryl Flinn
Chapter Nine: Performance and the Composite Film Score K.J. Donnelly
Chapter Ten: Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape Robynn J. Stilwell
Chapter Eleven: ‘Would You like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino Ken Garner

Item Type: Book Section
Additional Information: I also wrote the chapter "Performance and the Composite Film Score". This book was one of the first edit collections on film music.
ISBNs: 0748612882 (print)
9780748612888 (print)
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ePrint ID: 47516
Date :
Date Event
2001Published
Date Deposited: 31 Jul 2007
Last Modified: 16 Apr 2017 18:29
Further Information:Google Scholar
URI: http://eprints.soton.ac.uk/id/eprint/47516

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