"Revolución escritura": los ciné-tracts de Jean-Luc Godard y el arte de mayo de 1968
"Revolución escritura": los ciné-tracts de Jean-Luc Godard y el arte de mayo de 1968
This article examines Jean-Luc Godard’s involvement with the ciné-tracts project during May and June 1968. It explores two approaches to cultural production that were prominent in France in this period, and that influenced Godard’s artistic practice: one utilitarian, the other modernist. It then offers a detailed analysis of the ciné-tracts that Godard produced, considering how these influences are manifested in both their referential materials and their formal practices.
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Topp, Dominic
1fd5b7ab-fd0d-44f3-9fc3-e38bb3893e56
4 July 2018
Topp, Dominic
1fd5b7ab-fd0d-44f3-9fc3-e38bb3893e56
Abstract
This article examines Jean-Luc Godard’s involvement with the ciné-tracts project during May and June 1968. It explores two approaches to cultural production that were prominent in France in this period, and that influenced Godard’s artistic practice: one utilitarian, the other modernist. It then offers a detailed analysis of the ciné-tracts that Godard produced, considering how these influences are manifested in both their referential materials and their formal practices.
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141980-Article Text-297339-3-10-20180702
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Published date: 4 July 2018
Alternative titles:
“Revolution writing” : Jean-Luc Godard’s cinétracts and the art of May 1968
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Local EPrints ID: 478226
URI: http://eprints.soton.ac.uk/id/eprint/478226
ISSN: 2316-7114
PURE UUID: fd532b28-8041-4221-bb7b-08f77d5afa0b
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Date deposited: 26 Jun 2023 16:32
Last modified: 17 Mar 2024 04:14
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Author:
Dominic Topp
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