Between art and commerce: the Semprún Decree and the new Spanish cinema of the 1990s
Between art and commerce: the Semprún Decree and the new Spanish cinema of the 1990s
This article explores an overlooked piece of legislation in the history of contemporary Spanish cinema: the so-called Semprún Decree. While the popularly known as Miró Law has been widely studied, the Decree passed by Jorge Semprún in 1989 in his position as Minister of Culture (1988–91) has barely been analysed; this scarcity of historiography is quite surprising, since the Decree was not only designed to change the funding policies established by the Miró Law, but it also set the model for the forthcoming pieces of legislation that had been regulating the Spanish film industry up to the 2000s. Therefore, this article explains the key role that the Semprún Decree had in the reconfiguration of the Spanish film policies of the 1990s by framing it within the wider context of the European film policies of the period.
87-103
Fernandez-Meneses, Jara
7087893d-ad52-4d34-a2da-ce81ad49cdef
5 August 2019
Fernandez-Meneses, Jara
7087893d-ad52-4d34-a2da-ce81ad49cdef
Fernandez-Meneses, Jara
(2019)
Between art and commerce: the Semprún Decree and the new Spanish cinema of the 1990s.
Hispanic Research Journal, 20 (2), .
(doi:10.1080/14682737.2019.1603444).
Abstract
This article explores an overlooked piece of legislation in the history of contemporary Spanish cinema: the so-called Semprún Decree. While the popularly known as Miró Law has been widely studied, the Decree passed by Jorge Semprún in 1989 in his position as Minister of Culture (1988–91) has barely been analysed; this scarcity of historiography is quite surprising, since the Decree was not only designed to change the funding policies established by the Miró Law, but it also set the model for the forthcoming pieces of legislation that had been regulating the Spanish film industry up to the 2000s. Therefore, this article explains the key role that the Semprún Decree had in the reconfiguration of the Spanish film policies of the 1990s by framing it within the wider context of the European film policies of the period.
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Published date: 5 August 2019
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Local EPrints ID: 478806
URI: http://eprints.soton.ac.uk/id/eprint/478806
ISSN: 1468-2737
PURE UUID: 28dcd58d-4f48-4251-958e-02c0f60db854
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Date deposited: 10 Jul 2023 16:58
Last modified: 17 Mar 2024 04:17
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Author:
Jara Fernandez-Meneses
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