Plus ça devient vieux, Plus ça devient bête: the European bourgeoisie in Michael Haneke’s 'Amour'
Plus ça devient vieux, Plus ça devient bête: the European bourgeoisie in Michael Haneke’s 'Amour'
[Excerpt from introductory paragraph] Austrian-German filmmaker Michael Haneke is often considered the most “European” of directors. Born in Munich, raised and educated in Vienna, and working in both of those countries as well as France (and the United States), Haneke is the first filmmaker who consistently transcends the ever-present boundaries between European nation states. Amour, which won Haneke his second Palme d’Orat the Cannes Film Festival this year, is no exception. ...
Verheul, Jaap
fc7f6af0-ec16-4643-953d-7343388a78c2
2012
Verheul, Jaap
fc7f6af0-ec16-4643-953d-7343388a78c2
Verheul, Jaap
(2012)
Plus ça devient vieux, Plus ça devient bête: the European bourgeoisie in Michael Haneke’s 'Amour'.
Brooklyn Rail, December 2012 /.
Abstract
[Excerpt from introductory paragraph] Austrian-German filmmaker Michael Haneke is often considered the most “European” of directors. Born in Munich, raised and educated in Vienna, and working in both of those countries as well as France (and the United States), Haneke is the first filmmaker who consistently transcends the ever-present boundaries between European nation states. Amour, which won Haneke his second Palme d’Orat the Cannes Film Festival this year, is no exception. ...
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Published date: 2012
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Local EPrints ID: 478876
URI: http://eprints.soton.ac.uk/id/eprint/478876
PURE UUID: de9df352-70d3-4f48-9db6-1372696fcf35
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Date deposited: 12 Jul 2023 16:36
Last modified: 17 Mar 2024 04:08
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