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Opening the vault: streaming the film library in the age of pandemic content

Opening the vault: streaming the film library in the age of pandemic content
Opening the vault: streaming the film library in the age of pandemic content
“Opening the Vault” examines the renewed currency of the film library – or a catalogue of existing content – during the Covid-19 pandemic, when the production of new motion pictures came to a halt, and subscription-based streaming services such as Netflix, Disney+, and Mubi unleashed a copyright war to obtain the licensing of film titles which they subsequently reissued on their home video platform. In the process, these non-theatrical screening platforms augmented the value of their vaults while solidifying their position as principal gatekeepers of the circulation of moving images. This chapter thus reorients the study of global screen cultures away from the production of new content and toward an understanding of the film library as a primary site of our engagement with pandemic media.
50-59
Meson Press
Verheul, Jaap
fc7f6af0-ec16-4643-953d-7343388a78c2
Keidl, Philipp Dominik
Melamed, Laliv
Hediger, Vinzenz
Somaini, Antonio
Verheul, Jaap
fc7f6af0-ec16-4643-953d-7343388a78c2
Keidl, Philipp Dominik
Melamed, Laliv
Hediger, Vinzenz
Somaini, Antonio

Verheul, Jaap (2020) Opening the vault: streaming the film library in the age of pandemic content. In, Keidl, Philipp Dominik, Melamed, Laliv, Hediger, Vinzenz and Somaini, Antonio (eds.) Pandemic Media: Preliminary Notes Toward an Inventory. (Configurations of Film) Lüneburg,­ Germany­. Meson Press, pp. 50-59. (doi:10.14619/0085).

Record type: Book Section

Abstract

“Opening the Vault” examines the renewed currency of the film library – or a catalogue of existing content – during the Covid-19 pandemic, when the production of new motion pictures came to a halt, and subscription-based streaming services such as Netflix, Disney+, and Mubi unleashed a copyright war to obtain the licensing of film titles which they subsequently reissued on their home video platform. In the process, these non-theatrical screening platforms augmented the value of their vaults while solidifying their position as principal gatekeepers of the circulation of moving images. This chapter thus reorients the study of global screen cultures away from the production of new content and toward an understanding of the film library as a primary site of our engagement with pandemic media.

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Published date: 2020

Identifiers

Local EPrints ID: 479197
URI: http://eprints.soton.ac.uk/id/eprint/479197
PURE UUID: c4faddd4-8300-400f-b076-d2e821b4fb1d
ORCID for Jaap Verheul: ORCID iD orcid.org/0000-0001-9344-6252

Catalogue record

Date deposited: 20 Jul 2023 16:44
Last modified: 17 Mar 2024 04:08

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Contributors

Author: Jaap Verheul ORCID iD
Editor: Philipp Dominik Keidl
Editor: Laliv Melamed
Editor: Vinzenz Hediger
Editor: Antonio Somaini

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