An exploration of running as metaphor, methodology, material through the RUN! RUN! RUN! Biennale #r3fest 2016
An exploration of running as metaphor, methodology, material through the RUN! RUN! RUN! Biennale #r3fest 2016
This paper runs through the RUN! RUN! RUN! Biennale’s origins, curatorial framework, and its potential future impact. Also known as #r3fest, the Biennale is an interdisciplinary programme exploring running as an arts and humanities discourse. Exploring running as creative material, metaphor and methodology, the 2016 edition threw a spotlight on live art, drawings, films and activities by practitioners in the arts, academia and NGOs which have hitherto been underrepresented in dominant discourses in the emerging field of ‘Running Studies’. The paper raises philosophical questions about the synergies between arts and sport. Examples of practice across visual and performance art locate RUN! RUN! RUN! and the paper in the area of curating, suggesting a new way of considering how arts and sports can be organized, considered and presented. My aims include: widening the current discourse, inviting curators, artists and academics to consider and generate yet other experiments that activate running as creative material, metaphor and methodology, and challenging existing assumptions in the arts about sport.
Tan, Kai Syng
ac184aa0-8e5b-4802-a725-80daa6231c86
10 November 2022
Tan, Kai Syng
ac184aa0-8e5b-4802-a725-80daa6231c86
Tan, Kai Syng
(2022)
An exploration of running as metaphor, methodology, material through the RUN! RUN! RUN! Biennale #r3fest 2016.
In,
Long, Jonathan and Sandle, Doug
(eds.)
Interrelationships Between Sport and the Arts.
1st ed.
Routledge.
(doi:10.4324/9781003324973-8).
Record type:
Book Section
Abstract
This paper runs through the RUN! RUN! RUN! Biennale’s origins, curatorial framework, and its potential future impact. Also known as #r3fest, the Biennale is an interdisciplinary programme exploring running as an arts and humanities discourse. Exploring running as creative material, metaphor and methodology, the 2016 edition threw a spotlight on live art, drawings, films and activities by practitioners in the arts, academia and NGOs which have hitherto been underrepresented in dominant discourses in the emerging field of ‘Running Studies’. The paper raises philosophical questions about the synergies between arts and sport. Examples of practice across visual and performance art locate RUN! RUN! RUN! and the paper in the area of curating, suggesting a new way of considering how arts and sports can be organized, considered and presented. My aims include: widening the current discourse, inviting curators, artists and academics to consider and generate yet other experiments that activate running as creative material, metaphor and methodology, and challenging existing assumptions in the arts about sport.
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Published date: 10 November 2022
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Local EPrints ID: 480450
URI: http://eprints.soton.ac.uk/id/eprint/480450
PURE UUID: bbe0ffd6-408b-4869-be96-aee2abaf5cb3
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Date deposited: 02 Aug 2023 16:47
Last modified: 17 Mar 2024 04:21
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Contributors
Author:
Kai Syng Tan
Editor:
Jonathan Long
Editor:
Doug Sandle
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