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The cultural politics of civic pride through Hull UK City of Culture 2017

The cultural politics of civic pride through Hull UK City of Culture 2017
The cultural politics of civic pride through Hull UK City of Culture 2017

Purpose: This article explores the cultural politics of civic pride through Hull's year as UK City of Culture (UKCoC) in 2017. It unpicks some of the socio-political meanings and values of civic pride in Hull and critiques the ways in which pride, as an indicator of identity and belonging, was mobilised by UKCoC organisers, funders and city leaders. It argues for more nuanced and critical approaches to the consideration and evaluation of pride through cultural mega events (CMEs) that can take account of pride's multiple forms, meanings and temporalities. Design/methodology/approach: A multidimensional, mixed methods approach is taken, incorporating the critical analysis of Hull2017 promotional materials and events and original interviews with a range of stakeholders. Findings: The desire for socio-economic change and renewed identity has dominated Hull's post-industrial sense of self and is often expressed through the language of pride. This article argues that UKCoC organisers, cognisant of this, crafted and tightly controlled a singular pride narrative to create the feeling of change and legitimise the entrepreneurial re-branding of the city. At the same time, UKCoC organisers overlooked the opportunity to engage with and potentially reactivate the political culture of Hull, which like other “left behind” or “structurally disadvantaged” places, is becoming increasingly anti-political. Originality/value: Through the case study of a relatively unresearched and under-represented city, this paper contributes to cultural policy literatures concerned with critically assessing the benefits and shortcomings of Cultural Mega Events and to a more specific field concerning Cities of Culture and the political cultures of their host cities. This paper also contributes to an emerging literature on the centrality of pride through the UK's post-Brexit Levelling Up agenda, suggesting that pride in place is becoming figured as a “universal theme” of the neoliberal city script.

Civic pride, Hull, Political culture, Shame, UK City of Culture
2056-4945
138-158
Howcroft, Michael
4cddabd5-ee2a-400e-871b-572c1bb68df9
Howcroft, Michael
4cddabd5-ee2a-400e-871b-572c1bb68df9

Howcroft, Michael (2023) The cultural politics of civic pride through Hull UK City of Culture 2017. Arts and the Market, 13 (3), 138-158. (doi:10.1108/AAM-08-2021-0043).

Record type: Article

Abstract

Purpose: This article explores the cultural politics of civic pride through Hull's year as UK City of Culture (UKCoC) in 2017. It unpicks some of the socio-political meanings and values of civic pride in Hull and critiques the ways in which pride, as an indicator of identity and belonging, was mobilised by UKCoC organisers, funders and city leaders. It argues for more nuanced and critical approaches to the consideration and evaluation of pride through cultural mega events (CMEs) that can take account of pride's multiple forms, meanings and temporalities. Design/methodology/approach: A multidimensional, mixed methods approach is taken, incorporating the critical analysis of Hull2017 promotional materials and events and original interviews with a range of stakeholders. Findings: The desire for socio-economic change and renewed identity has dominated Hull's post-industrial sense of self and is often expressed through the language of pride. This article argues that UKCoC organisers, cognisant of this, crafted and tightly controlled a singular pride narrative to create the feeling of change and legitimise the entrepreneurial re-branding of the city. At the same time, UKCoC organisers overlooked the opportunity to engage with and potentially reactivate the political culture of Hull, which like other “left behind” or “structurally disadvantaged” places, is becoming increasingly anti-political. Originality/value: Through the case study of a relatively unresearched and under-represented city, this paper contributes to cultural policy literatures concerned with critically assessing the benefits and shortcomings of Cultural Mega Events and to a more specific field concerning Cities of Culture and the political cultures of their host cities. This paper also contributes to an emerging literature on the centrality of pride through the UK's post-Brexit Levelling Up agenda, suggesting that pride in place is becoming figured as a “universal theme” of the neoliberal city script.

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Howcroft 2023 Cultural Politics of Civic Pride through Hull2017 AAM Accepted Version - Accepted Manuscript
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More information

Accepted/In Press date: 19 June 2023
Published date: 12 October 2023
Additional Information: This author accepted manuscript is deposited under a Creative Commons Attribution Non-commercial 4.0 International (CC BY-NC) licence. This means that anyone may distribute, adapt, and build upon the work for non-commercial purposes, subject to full attribution. If you wish to use this manuscript for commercial purposes, please visit https://marketplace.copyright.com/rs-ui-web/mp Publisher Copyright: © 2023, Emerald Publishing Limited.
Keywords: Civic pride, Hull, Political culture, Shame, UK City of Culture

Identifiers

Local EPrints ID: 481105
URI: http://eprints.soton.ac.uk/id/eprint/481105
ISSN: 2056-4945
PURE UUID: 86147a9f-ac53-4c3c-9828-f8b572016894
ORCID for Michael Howcroft: ORCID iD orcid.org/0000-0002-1171-6122

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Date deposited: 15 Aug 2023 16:53
Last modified: 05 Jun 2024 17:59

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Author: Michael Howcroft ORCID iD

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