The University of Southampton
University of Southampton Institutional Repository

Strangeness in Jacobean Drama

Strangeness in Jacobean Drama
Strangeness in Jacobean Drama
Callan Davies presents “strangeness” as a fresh critical paradigm for understanding the construction and performance of Jacobean drama—one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how preoccupation with the strange unites the verbal, visual, and philosophical elements of performance in works by Marston, Shakespeare, Middleton, Dekker, Heywood, and Beaumont and Fletcher.Strangeness in Jacobean Drama therefore offers an alternative model for understanding this important period of English dramatic history that moves beyond categories such as “Shakespeare’s late plays,” “tragicomedy,” or the home of cynical and bloodthirsty tragedies.This book will be of great interest to students and scholars of early modern drama and philosophy, rhetorical studies, and the history of science and technology.
Routledge
Davies, Callan
00da24ad-3e32-4484-a8c8-c9e624511295
Davies, Callan
00da24ad-3e32-4484-a8c8-c9e624511295

Davies, Callan (2020) Strangeness in Jacobean Drama (Studies in Performance and Early Modern Drama), 1st ed. Routledge

Record type: Book

Abstract

Callan Davies presents “strangeness” as a fresh critical paradigm for understanding the construction and performance of Jacobean drama—one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how preoccupation with the strange unites the verbal, visual, and philosophical elements of performance in works by Marston, Shakespeare, Middleton, Dekker, Heywood, and Beaumont and Fletcher.Strangeness in Jacobean Drama therefore offers an alternative model for understanding this important period of English dramatic history that moves beyond categories such as “Shakespeare’s late plays,” “tragicomedy,” or the home of cynical and bloodthirsty tragedies.This book will be of great interest to students and scholars of early modern drama and philosophy, rhetorical studies, and the history of science and technology.

This record has no associated files available for download.

More information

Published date: 16 September 2020

Identifiers

Local EPrints ID: 481548
URI: http://eprints.soton.ac.uk/id/eprint/481548
PURE UUID: a4309380-b7b4-45bc-abc7-ff388d338f2b
ORCID for Callan Davies: ORCID iD orcid.org/0000-0002-6554-0660

Catalogue record

Date deposited: 01 Sep 2023 16:54
Last modified: 18 Mar 2024 04:15

Export record

Contributors

Author: Callan Davies ORCID iD

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×