Sensory Perception in the Medieval West
Sensory Perception in the Medieval West
What was it like to experience the medieval world through one’s senses? Can we access those past sensory experiences, and use our senses to engage with the medieval world? How do texts, objects, spaces, manuscripts, and language itself explore, define, exploit, and control the senses of those who engage with them?
This collection of essays seeks to explore these challenging questions. To do so is inevitably to take an interdisciplinary and context-focused approach. As a whole, this book develops understanding of how different fields speak to one another when they are focused on human experiences, whether of those who used our sources in the medieval period, or of those who seek to understand and to teach those sources today.
Articles by leading researchers in their respective fields examine topics including: Old English terminology for the senses, effects of the digitisation of manuscripts on scholarship, Anglo-Saxon explorations of non-human senses, scribal sensory engagement with poetry, the control of sound in medieval drama, bird sounds and their implications for Anglo-Saxon sensory perception, how goldwork controls the viewing gaze, legalised sensory impairment, and the exploitation of the senses by poetry, architecture, and cult objects.
Thomson, Simon
d88f52a8-f7a3-421d-9e27-822afa9dd2bc
Bintley, Michael
d3cdf609-493e-42a0-ba98-43ba2159439b
2016
Thomson, Simon
d88f52a8-f7a3-421d-9e27-822afa9dd2bc
Bintley, Michael
d3cdf609-493e-42a0-ba98-43ba2159439b
Thomson, Simon and Bintley, Michael
(eds.)
(2016)
Sensory Perception in the Medieval West
,
Turnhout.
Brepols, 254pp.
Abstract
What was it like to experience the medieval world through one’s senses? Can we access those past sensory experiences, and use our senses to engage with the medieval world? How do texts, objects, spaces, manuscripts, and language itself explore, define, exploit, and control the senses of those who engage with them?
This collection of essays seeks to explore these challenging questions. To do so is inevitably to take an interdisciplinary and context-focused approach. As a whole, this book develops understanding of how different fields speak to one another when they are focused on human experiences, whether of those who used our sources in the medieval period, or of those who seek to understand and to teach those sources today.
Articles by leading researchers in their respective fields examine topics including: Old English terminology for the senses, effects of the digitisation of manuscripts on scholarship, Anglo-Saxon explorations of non-human senses, scribal sensory engagement with poetry, the control of sound in medieval drama, bird sounds and their implications for Anglo-Saxon sensory perception, how goldwork controls the viewing gaze, legalised sensory impairment, and the exploitation of the senses by poetry, architecture, and cult objects.
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Published date: 2016
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Local EPrints ID: 481932
URI: http://eprints.soton.ac.uk/id/eprint/481932
PURE UUID: f90c60b2-64b1-4144-bf24-904964fa30f1
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Date deposited: 13 Sep 2023 17:14
Last modified: 27 Sep 2023 02:05
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Contributors
Editor:
Simon Thomson
Editor:
Michael Bintley
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