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Potential of reverberation in squares for soundscape perception potential of reverberation in squares for soundscape perception

Potential of reverberation in squares for soundscape perception potential of reverberation in squares for soundscape perception
Potential of reverberation in squares for soundscape perception potential of reverberation in squares for soundscape perception
Reverberation is a well-known acoustic factor for architectural design. The idea of appropriate and diverse reverberation times along baroque enfilades (a specific series of rooms in manor houses) served as an inspiration to investigate if similar perceived quality can be achieved in open spaces. The sequence of public spaces in Zagreb, Croatia, was chosen for the initial stage of this study. Reverberation time was measured using firecrackers as impulse sound sources. The measured values clearly supported the idea of a spatial sequence within a span from public to intimate. However, in recorded scenarios, analyses of soundscape perception descriptors, showed that other factors, such as traffic noise, probably cancelled the hypothetical effect of diverse reverberation times. Further research was conducted on a morphologically different but acoustically comparable sequence of public spaces in Sheffield, United Kingdom, to investigate factors that make reverberation in open space more significant for the overall assessment. The research includes a total of 17 squares, 8 in Zagreb and 9 in Sheffield, which were assessed using similar methodology on both locations. Spherical photographs and three-dimensional audio recordings were made to serve as a basis for listening experiments conducted in auralisation laboratory using tools for virtual reality simulations. It is expected that further research would show which features are most significant for the perceptibility of the investigated concept. PACS no. 43.50.Qp, 43.50.Rq
Oberman, Tin
273dc38f-de96-4dbe-8612-bb5e001e31d8
Šćitaroci, Bojana Bojanić Obad
c8c62a5b-ca13-43aa-b320-621e2fcdf79b
Jambrošić, Kristian
5e51c275-f9e2-4447-9c55-1bcb220c4c85
Kang, Jian
6afbc9a6-9338-449c-9cb9-24994c1c1c87
Margaritis, Efstathios
bccaaf39-3821-485e-b282-a54b71033fe4
Oberman, Tin
273dc38f-de96-4dbe-8612-bb5e001e31d8
Šćitaroci, Bojana Bojanić Obad
c8c62a5b-ca13-43aa-b320-621e2fcdf79b
Jambrošić, Kristian
5e51c275-f9e2-4447-9c55-1bcb220c4c85
Kang, Jian
6afbc9a6-9338-449c-9cb9-24994c1c1c87
Margaritis, Efstathios
bccaaf39-3821-485e-b282-a54b71033fe4

Oberman, Tin, Šćitaroci, Bojana Bojanić Obad, Jambrošić, Kristian, Kang, Jian and Margaritis, Efstathios (2018) Potential of reverberation in squares for soundscape perception potential of reverberation in squares for soundscape perception. 11th European Congress and Exposition on Noise Control Engineering, , Crete, Greece. 27 - 31 May 2018. 9 pp .

Record type: Conference or Workshop Item (Paper)

Abstract

Reverberation is a well-known acoustic factor for architectural design. The idea of appropriate and diverse reverberation times along baroque enfilades (a specific series of rooms in manor houses) served as an inspiration to investigate if similar perceived quality can be achieved in open spaces. The sequence of public spaces in Zagreb, Croatia, was chosen for the initial stage of this study. Reverberation time was measured using firecrackers as impulse sound sources. The measured values clearly supported the idea of a spatial sequence within a span from public to intimate. However, in recorded scenarios, analyses of soundscape perception descriptors, showed that other factors, such as traffic noise, probably cancelled the hypothetical effect of diverse reverberation times. Further research was conducted on a morphologically different but acoustically comparable sequence of public spaces in Sheffield, United Kingdom, to investigate factors that make reverberation in open space more significant for the overall assessment. The research includes a total of 17 squares, 8 in Zagreb and 9 in Sheffield, which were assessed using similar methodology on both locations. Spherical photographs and three-dimensional audio recordings were made to serve as a basis for listening experiments conducted in auralisation laboratory using tools for virtual reality simulations. It is expected that further research would show which features are most significant for the perceptibility of the investigated concept. PACS no. 43.50.Qp, 43.50.Rq

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More information

Published date: May 2018
Venue - Dates: 11th European Congress and Exposition on Noise Control Engineering, , Crete, Greece, 2018-05-27 - 2018-05-31

Identifiers

Local EPrints ID: 482985
URI: http://eprints.soton.ac.uk/id/eprint/482985
PURE UUID: 8c95ced7-86fa-4bb9-81d7-60b692d82f4d
ORCID for Efstathios Margaritis: ORCID iD orcid.org/0000-0002-7307-8437

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Date deposited: 18 Oct 2023 16:37
Last modified: 18 Mar 2024 04:12

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Contributors

Author: Tin Oberman
Author: Bojana Bojanić Obad Šćitaroci
Author: Kristian Jambrošić
Author: Jian Kang
Author: Efstathios Margaritis ORCID iD

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