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Operational Images: From the Visual to the Invisual

Operational Images: From the Visual to the Invisual
Operational Images: From the Visual to the Invisual
First introduced by the German filmmaker Harun Farocki, the term operational images defines the expanding field of machine vision. In this study, media theorist Jussi Parikka develops Farocki’s initial concept by considering the extent to which operational images have pervaded today’s visual culture, outlining how data technologies continue to develop and disrupt our understanding of images beyond representation.

Charting the ways that operational images have been employed throughout a variety of fields and historical epochs, Parikka details their many roles as technologies of analysis, capture, measurement, diagramming, laboring, (machine) learning, identification, tracking, and destruction. He demonstrates how, though inextricable from issues of power and control, operational images extend their reach far beyond militaristic and colonial violence and into the realms of artificial intelligence, data, and numerous aspects of art, media, and everyday visual culture.
Serving as an extensive guide to a key concept in contemporary art, design, and media theory, Operational Images explores the implications of machine vision and the limits of human agency. Through a wealth of case studies highlighting the areas where imagery and data intersect, this book gives unprecedented insight into the ever-evolving world of posthuman visuality.
Operational images, photography, Visual Culture, Media archaeology, media theory, data culture, media art, Cinema
University of Minnesota Press
Parikka, Jussi
cf75ecb3-3559-4e53-a03e-af511651e9ac
Parikka, Jussi
cf75ecb3-3559-4e53-a03e-af511651e9ac

Parikka, Jussi (2023) Operational Images: From the Visual to the Invisual , Minneapolis, USA. University of Minnesota Press, 296pp.

Record type: Book

Abstract

First introduced by the German filmmaker Harun Farocki, the term operational images defines the expanding field of machine vision. In this study, media theorist Jussi Parikka develops Farocki’s initial concept by considering the extent to which operational images have pervaded today’s visual culture, outlining how data technologies continue to develop and disrupt our understanding of images beyond representation.

Charting the ways that operational images have been employed throughout a variety of fields and historical epochs, Parikka details their many roles as technologies of analysis, capture, measurement, diagramming, laboring, (machine) learning, identification, tracking, and destruction. He demonstrates how, though inextricable from issues of power and control, operational images extend their reach far beyond militaristic and colonial violence and into the realms of artificial intelligence, data, and numerous aspects of art, media, and everyday visual culture.
Serving as an extensive guide to a key concept in contemporary art, design, and media theory, Operational Images explores the implications of machine vision and the limits of human agency. Through a wealth of case studies highlighting the areas where imagery and data intersect, this book gives unprecedented insight into the ever-evolving world of posthuman visuality.

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More information

Published date: 23 May 2023
Keywords: Operational images, photography, Visual Culture, Media archaeology, media theory, data culture, media art, Cinema

Identifiers

Local EPrints ID: 484108
URI: http://eprints.soton.ac.uk/id/eprint/484108
PURE UUID: 965e6618-7aa3-472e-b5ec-fc8cc04f839f
ORCID for Jussi Parikka: ORCID iD orcid.org/0000-0002-2248-6377

Catalogue record

Date deposited: 10 Nov 2023 17:52
Last modified: 18 Mar 2024 03:19

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