Imagining women at the movies: male writers and early film culture in Istanbul
Imagining women at the movies: male writers and early film culture in Istanbul
This chapter examines early film culture in Istanbul by focusing on how Turkish male writers constructed cinema-going Turkish women in early twentieth-century and postwar Istanbul. The goal is to analyze gendered concerns about spectatorship emerging in the patriarchal imagination of that time. In order to understand the reception of early cinema in Turkey as well as the cultural status of Turkish cinema among the Ottoman/Turkish intelligentsia and the gender politics surrounding it, the chapter looks at novels, poems, and newspaper reviews. The discussion begins with an overview of film market in post-World-War I Istanbul and cinema-going as a public experience in the Ottoman capital. An analysis of female spectators depicted by male authors reveals a changing culture of spectatorship. This occurred concomitantly with the sociopolitical transition from the declining Ottoman Empire to the rise of the Turkish nation-state. The chapter argues that the change in gender politics during this period triggered the new anxieties that creative writers project onto the activity of filmgoing, and particularly that by cinema-going women.
feminist film history, early cinema, global cinema
53-65
University of Illinois Press
Balan, Canan
c7e26268-543a-4197-a731-8f3028c55c4a
10 September 2015
Balan, Canan
c7e26268-543a-4197-a731-8f3028c55c4a
Balan, Canan
(2015)
Imagining women at the movies: male writers and early film culture in Istanbul.
In,
Knight, Julia and Gledhill, Christine
(eds.)
Doing Women's Film History: Reframing Cinemas, Past and Future.
University of Illinois Press, .
(doi:10.5406/illinois/9780252039683.003.0005).
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Abstract
This chapter examines early film culture in Istanbul by focusing on how Turkish male writers constructed cinema-going Turkish women in early twentieth-century and postwar Istanbul. The goal is to analyze gendered concerns about spectatorship emerging in the patriarchal imagination of that time. In order to understand the reception of early cinema in Turkey as well as the cultural status of Turkish cinema among the Ottoman/Turkish intelligentsia and the gender politics surrounding it, the chapter looks at novels, poems, and newspaper reviews. The discussion begins with an overview of film market in post-World-War I Istanbul and cinema-going as a public experience in the Ottoman capital. An analysis of female spectators depicted by male authors reveals a changing culture of spectatorship. This occurred concomitantly with the sociopolitical transition from the declining Ottoman Empire to the rise of the Turkish nation-state. The chapter argues that the change in gender politics during this period triggered the new anxieties that creative writers project onto the activity of filmgoing, and particularly that by cinema-going women.
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Published date: 10 September 2015
Keywords:
feminist film history, early cinema, global cinema
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Local EPrints ID: 484354
URI: http://eprints.soton.ac.uk/id/eprint/484354
PURE UUID: 7cb535f7-e5b4-4af0-b9aa-24fc3f3755bd
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Date deposited: 15 Nov 2023 18:25
Last modified: 17 Mar 2024 05:51
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Author:
Canan Balan
Editor:
Julia Knight
Editor:
Christine Gledhill
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