Kaybederim kendimi ben filmin gidişinde: Nâzim Hikmet'te sinema izleği
Kaybederim kendimi ben filmin gidişinde: Nâzim Hikmet'te sinema izleği
This article aims to analyze how cinema was thematized in Nâzım Hikmet's literary works and columns. The theme of cinema in Nâzım Hikmet is closely related with his concept of consciousness. In examples wherein cinemafunctioned as an allegory of historical dynamics and conflicts, Nâzım Hikmet drew a parallel between social and / or individual consciousness and cinema. On the other hand, Nâzım Hikmet's discourse on the consciousness of the spectator was determined by the concept of anxiety of influence whereas the discussion was about gender, orientalism, colonialism and imperialism. This article also compares and contrasts Nâzım Hikmet's cinema to the representations of cinema in the works of Sait Faik, Peyami Safa, Fahri Celal and Mahmut Yesari.
literary criticism, early cinema, feminism, politics, affect, commons, identity, multitude
7-27
Altuğ, Fatih
da054b40-091c-4a2c-abed-391f7964efac
Balan, Canan
c7e26268-543a-4197-a731-8f3028c55c4a
1 January 2015
Altuğ, Fatih
da054b40-091c-4a2c-abed-391f7964efac
Balan, Canan
c7e26268-543a-4197-a731-8f3028c55c4a
Altuğ, Fatih and Balan, Canan
(2015)
Kaybederim kendimi ben filmin gidişinde: Nâzim Hikmet'te sinema izleği.
Yeni Türk Edebiyatı: Hakemli Altı Aylık İnceleme Dergisi, 0 (12), .
Abstract
This article aims to analyze how cinema was thematized in Nâzım Hikmet's literary works and columns. The theme of cinema in Nâzım Hikmet is closely related with his concept of consciousness. In examples wherein cinemafunctioned as an allegory of historical dynamics and conflicts, Nâzım Hikmet drew a parallel between social and / or individual consciousness and cinema. On the other hand, Nâzım Hikmet's discourse on the consciousness of the spectator was determined by the concept of anxiety of influence whereas the discussion was about gender, orientalism, colonialism and imperialism. This article also compares and contrasts Nâzım Hikmet's cinema to the representations of cinema in the works of Sait Faik, Peyami Safa, Fahri Celal and Mahmut Yesari.
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Published date: 1 January 2015
Alternative titles:
I lose myself in the flow of the film: the theme of cinema in Nâzim Hikmet
Keywords:
literary criticism, early cinema, feminism, politics, affect, commons, identity, multitude
Identifiers
Local EPrints ID: 484489
URI: http://eprints.soton.ac.uk/id/eprint/484489
ISSN: 1309-565X
PURE UUID: 45bb5fad-0994-4f07-bcb5-1977545d23e4
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Date deposited: 16 Nov 2023 13:31
Last modified: 17 Mar 2024 05:51
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Contributors
Author:
Fatih Altuğ
Author:
Canan Balan
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