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‘Sacred is the duty’: London's Naye Yidishe teater company (New Yiddish theatre company), 1943-1949

‘Sacred is the duty’: London's Naye Yidishe teater company (New Yiddish theatre company), 1943-1949
‘Sacred is the duty’: London's Naye Yidishe teater company (New Yiddish theatre company), 1943-1949
This thesis is the first study of the Yiddish theatre in London during and after the Second World War, analysing the mission, repertoire, reception, and success of the Naye yidishe teater (New Yiddish Theatre). Established in 1943 in London in the midst of the war and with growing awareness of the atrocities on the continent, the company was born out of Jewish cultural nationalist thought, and was a renewed attempt to create a modern, secular Yiddish culture in London in the wake of Nazi persecution and the Holocaust. This thesis explores the ways in which this unique context inspired and shaped the mission, repertoire, and success of the New Yiddish Theatre Company, arguing that the theatre characterised both the transnational nature of theatrical exchange while still being shaped and influenced by the unique circumstances of its host nation. It also situates the New Yiddish Theatre Company as a late iteration of cultural nationalism, revived by the ever-growing reality of the great loss of Yiddish cultural life across Europe. Entwining the histories of Anglo-Jewry, Yiddish culture, and Jewish life and identity in the 1940s, this thesis brings together a range of Yiddish and English language sources to demonstrate not only the importance of the New Yiddish Theatre project in the history of global Yiddish theatre but the impact it had on the unique Anglo-Jewish context in which it emerged. It argues that the New Yiddish Theatre project was one of great ambition and posits as part of a small but vibrant Yiddish cultural scene that was active yet fragmented. It goes on to demonstrate, however, that despite the commitment of its founders and ambition of their endeavour, the New Yiddish Theatre was not able to achieve its mission, a result of not only the broader decline of global Yiddish culture but the unique circumstances that Jewish life in Britain presented.
University of Southampton
Power, Katie
0525123f-3506-4804-b4df-cb6e1032333e
Power, Katie
0525123f-3506-4804-b4df-cb6e1032333e
Le Foll, Claire
01932669-681d-4e42-afa2-7f438d49dcc8
Jordan, James
b4bf9915-44c8-45da-823b-7f2627f33e55

Power, Katie (2023) ‘Sacred is the duty’: London's Naye Yidishe teater company (New Yiddish theatre company), 1943-1949. University of Southampton, Doctoral Thesis, 193pp.

Record type: Thesis (Doctoral)

Abstract

This thesis is the first study of the Yiddish theatre in London during and after the Second World War, analysing the mission, repertoire, reception, and success of the Naye yidishe teater (New Yiddish Theatre). Established in 1943 in London in the midst of the war and with growing awareness of the atrocities on the continent, the company was born out of Jewish cultural nationalist thought, and was a renewed attempt to create a modern, secular Yiddish culture in London in the wake of Nazi persecution and the Holocaust. This thesis explores the ways in which this unique context inspired and shaped the mission, repertoire, and success of the New Yiddish Theatre Company, arguing that the theatre characterised both the transnational nature of theatrical exchange while still being shaped and influenced by the unique circumstances of its host nation. It also situates the New Yiddish Theatre Company as a late iteration of cultural nationalism, revived by the ever-growing reality of the great loss of Yiddish cultural life across Europe. Entwining the histories of Anglo-Jewry, Yiddish culture, and Jewish life and identity in the 1940s, this thesis brings together a range of Yiddish and English language sources to demonstrate not only the importance of the New Yiddish Theatre project in the history of global Yiddish theatre but the impact it had on the unique Anglo-Jewish context in which it emerged. It argues that the New Yiddish Theatre project was one of great ambition and posits as part of a small but vibrant Yiddish cultural scene that was active yet fragmented. It goes on to demonstrate, however, that despite the commitment of its founders and ambition of their endeavour, the New Yiddish Theatre was not able to achieve its mission, a result of not only the broader decline of global Yiddish culture but the unique circumstances that Jewish life in Britain presented.

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Published date: November 2023

Identifiers

Local EPrints ID: 485029
URI: http://eprints.soton.ac.uk/id/eprint/485029
PURE UUID: 98f71ce2-cec1-46f9-afe0-0e8976c5e34b
ORCID for Claire Le Foll: ORCID iD orcid.org/0000-0003-2261-6431

Catalogue record

Date deposited: 28 Nov 2023 17:49
Last modified: 22 Nov 2024 05:01

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Contributors

Author: Katie Power
Thesis advisor: Claire Le Foll ORCID iD
Thesis advisor: James Jordan

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