Act break 4: the bear stage
Act break 4: the bear stage
The animal remains at baiting arenas represent a unique set of archaeological fauna, exceptional in that their location connects them clearly to a wealth of documentary and literary evidence about their lifetime activities. Box Office Bears is a new research project that puts into dialogue this archaeological and documentary evidence with ancient-DNA analysis, asking new questions about baiting as a form of play: a game, a performance, a sport, an opportunity to bet, kinetic combat around which to excitedly crowd. This 'act break' will explore this predominantly non-verbal performance and non-human spectacle across the full range of expertise of our project, and ask what it means to think about Shakespearean play via bears.
Davies, Callan
00da24ad-3e32-4484-a8c8-c9e624511295
Charlton, Sophy
e074c19d-3f51-4ffd-9f73-dc2017802fc9
Kesson, Andy
a243a774-4eff-44db-b785-84c2c645a04b
Lewis, Liam
28e7660e-a88e-424a-9841-85f1b5bd5d70
O'Regan, Hannah
d72e38c2-c0dc-47bb-9156-6be42810c168
Wright, Lizzie
b0c34148-c572-44fa-970a-554e5b0dfa80
8 August 2024
Davies, Callan
00da24ad-3e32-4484-a8c8-c9e624511295
Charlton, Sophy
e074c19d-3f51-4ffd-9f73-dc2017802fc9
Kesson, Andy
a243a774-4eff-44db-b785-84c2c645a04b
Lewis, Liam
28e7660e-a88e-424a-9841-85f1b5bd5d70
O'Regan, Hannah
d72e38c2-c0dc-47bb-9156-6be42810c168
Wright, Lizzie
b0c34148-c572-44fa-970a-554e5b0dfa80
Davies, Callan, Charlton, Sophy, Kesson, Andy, Lewis, Liam, O'Regan, Hannah and Wright, Lizzie
(2024)
Act break 4: the bear stage.
In,
Munro, Lucy, Massai, Sonia, Karim-Cooper, Farah, McMullan, Gordon and Whipday, Emma
(eds.)
Shakespeare/Play: Contemporary Readings in Playing, Playmaking and Performance.
1 ed.
Bloomsbury Publishing.
Record type:
Book Section
Abstract
The animal remains at baiting arenas represent a unique set of archaeological fauna, exceptional in that their location connects them clearly to a wealth of documentary and literary evidence about their lifetime activities. Box Office Bears is a new research project that puts into dialogue this archaeological and documentary evidence with ancient-DNA analysis, asking new questions about baiting as a form of play: a game, a performance, a sport, an opportunity to bet, kinetic combat around which to excitedly crowd. This 'act break' will explore this predominantly non-verbal performance and non-human spectacle across the full range of expertise of our project, and ask what it means to think about Shakespearean play via bears.
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More information
Published date: 8 August 2024
Identifiers
Local EPrints ID: 486660
URI: http://eprints.soton.ac.uk/id/eprint/486660
PURE UUID: 4fe62294-2072-4acc-915c-fb5bf55050fa
Catalogue record
Date deposited: 31 Jan 2024 17:31
Last modified: 06 Sep 2024 02:09
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Contributors
Author:
Callan Davies
Author:
Sophy Charlton
Author:
Andy Kesson
Author:
Liam Lewis
Author:
Hannah O'Regan
Author:
Lizzie Wright
Editor:
Lucy Munro
Editor:
Sonia Massai
Editor:
Farah Karim-Cooper
Editor:
Gordon McMullan
Editor:
Emma Whipday
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