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Eye-tracking film music

Eye-tracking film music
Eye-tracking film music
Film music scholars, composers, directors and audiences have always implicitly believed that music can help determine the focus of an audience’s visual attention, but researchers have not as yet been able to prove this empirically. Eye-tracking research—the process of measuring either the point of gaze or the motion of the eyes—has grown exponentially in recent years. This paper reports on a foundational, empirical eye-tracking study that examined the effects of contextual musical attributes on visual attention, emotion and user experience during exploration tasks in moving images. Our results show that music is able to direct how we see by switching attention to target foci more quickly as well as lengthening fixations, and that music can also encourage greater exploration of visual scenes outside targets. Our work contributes the first step in understanding how music shapes visual attention using eye-tracking techniques. We encourage wider adoption of this approach which has the potential to enhance understanding of the complex processes of audiovisual perception in action.
2367-8464
3-23
Mera, Miguel
35e8e446-9092-4516-b12c-c1fbcf67bc9f
Stumpf, Simone
9fc55e55-3b32-407d-b4ff-4e47de027ab8
Mera, Miguel
35e8e446-9092-4516-b12c-c1fbcf67bc9f
Stumpf, Simone
9fc55e55-3b32-407d-b4ff-4e47de027ab8

Mera, Miguel and Stumpf, Simone (2014) Eye-tracking film music. Music and the Moving Image, 7 (3), 3-23. (doi:10.5406/musimoviimag.7.3.0003).

Record type: Article

Abstract

Film music scholars, composers, directors and audiences have always implicitly believed that music can help determine the focus of an audience’s visual attention, but researchers have not as yet been able to prove this empirically. Eye-tracking research—the process of measuring either the point of gaze or the motion of the eyes—has grown exponentially in recent years. This paper reports on a foundational, empirical eye-tracking study that examined the effects of contextual musical attributes on visual attention, emotion and user experience during exploration tasks in moving images. Our results show that music is able to direct how we see by switching attention to target foci more quickly as well as lengthening fixations, and that music can also encourage greater exploration of visual scenes outside targets. Our work contributes the first step in understanding how music shapes visual attention using eye-tracking techniques. We encourage wider adoption of this approach which has the potential to enhance understanding of the complex processes of audiovisual perception in action.

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Eyetracking Film Music - Accepted Manuscript
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Published date: 1 October 2014

Identifiers

Local EPrints ID: 486748
URI: http://eprints.soton.ac.uk/id/eprint/486748
ISSN: 2367-8464
PURE UUID: f161b4b2-f13b-4aad-ae09-b6e2e2cb7a11
ORCID for Miguel Mera: ORCID iD orcid.org/0000-0002-0031-0629

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Date deposited: 05 Feb 2024 18:22
Last modified: 18 Mar 2024 04:16

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Contributors

Author: Miguel Mera ORCID iD
Author: Simone Stumpf

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