The University of Southampton
University of Southampton Institutional Repository

“Brave new ideas begin”: disability, gender, and life writing in twenty-first-century pop

“Brave new ideas begin”: disability, gender, and life writing in twenty-first-century pop
“Brave new ideas begin”: disability, gender, and life writing in twenty-first-century pop
Lady Gaga’s recent revelations about her chronic health conditions have highlighted some of the issues faced by disabled women forging a career in the pop music industry. Singers Mandy Harvey (USA), Viktoria Modesta (UK), and the Sisters of Invention (Australia) represent a range of pop styles and attitudes, but each puts the experience of disability at the center of their performance. This chapter explores the way these contemporary female disabled artists in Anglophone pop use their creative output as a form of life writing, articulating their views on gender and disability in their music and their engagement with the public.
85-104
Routledge
Stras, Laurie
b1021221-b68d-4a48-bf3c-890e5a63438a
Fast, Susan
Jennex, Craig
Stras, Laurie
b1021221-b68d-4a48-bf3c-890e5a63438a
Fast, Susan
Jennex, Craig

Stras, Laurie (2019) “Brave new ideas begin”: disability, gender, and life writing in twenty-first-century pop. In, Fast, Susan and Jennex, Craig (eds.) Popular Music and the Politics of Hope:: Queer and Feminist Interventions. 1 ed. Routledge, pp. 85-104. (doi:10.4324/9781315165677).

Record type: Book Section

Abstract

Lady Gaga’s recent revelations about her chronic health conditions have highlighted some of the issues faced by disabled women forging a career in the pop music industry. Singers Mandy Harvey (USA), Viktoria Modesta (UK), and the Sisters of Invention (Australia) represent a range of pop styles and attitudes, but each puts the experience of disability at the center of their performance. This chapter explores the way these contemporary female disabled artists in Anglophone pop use their creative output as a form of life writing, articulating their views on gender and disability in their music and their engagement with the public.

This record has no associated files available for download.

More information

e-pub ahead of print date: 19 April 2019

Identifiers

Local EPrints ID: 487748
URI: http://eprints.soton.ac.uk/id/eprint/487748
PURE UUID: 9aba5fd5-1b4a-4d89-8b4a-828f13af3793
ORCID for Laurie Stras: ORCID iD orcid.org/0000-0002-0129-2047

Catalogue record

Date deposited: 04 Mar 2024 17:43
Last modified: 18 Mar 2024 02:40

Export record

Altmetrics

Contributors

Author: Laurie Stras ORCID iD
Editor: Susan Fast
Editor: Craig Jennex

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×