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City of the living dead: the Old English Andreas as urban horror narrative

City of the living dead: the Old English Andreas as urban horror narrative
City of the living dead: the Old English Andreas as urban horror narrative
Wild and unforgiving natural landscapes are well known to be the haunts of monsters in Old English poetry, even by those who have not read much Anglo-Saxon literature. Less well known is the urban landscape of the Vercelli Book’s Andreas, in which a crumbling city, carved in stone, plays host to the Satan-worshipping cannibal Mermedonians. This article argues that the Andreas poet, who drew on the monsters of Beowulf and their ilk when he translated his Latin narrative into English, also made significant use of poetic descriptions of urban landscapes. The ruinous presence of these – a ubiquitous feature of the landscape in early medieval England – had already left an enduring mark on Old English elegy. When the Andreas poet rehoused his monsters in one of these places, he not only created one of the most powerful settings in the Anglo-Saxon corpus, but also, inadvertently, the first surviving urban horror story in English literature
Andreas, Old English, urbanism, landscapes, environments, horror, cannibalism
2040-3283
3-20
Bintley, Mike
d3cdf609-493e-42a0-ba98-43ba2159439b
Bintley, Mike
d3cdf609-493e-42a0-ba98-43ba2159439b

Bintley, Mike (2013) City of the living dead: the Old English Andreas as urban horror narrative. Horror Studies, 4 (1), 3-20. (doi:10.1386/host.4.1.3_1).

Record type: Article

Abstract

Wild and unforgiving natural landscapes are well known to be the haunts of monsters in Old English poetry, even by those who have not read much Anglo-Saxon literature. Less well known is the urban landscape of the Vercelli Book’s Andreas, in which a crumbling city, carved in stone, plays host to the Satan-worshipping cannibal Mermedonians. This article argues that the Andreas poet, who drew on the monsters of Beowulf and their ilk when he translated his Latin narrative into English, also made significant use of poetic descriptions of urban landscapes. The ruinous presence of these – a ubiquitous feature of the landscape in early medieval England – had already left an enduring mark on Old English elegy. When the Andreas poet rehoused his monsters in one of these places, he not only created one of the most powerful settings in the Anglo-Saxon corpus, but also, inadvertently, the first surviving urban horror story in English literature

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More information

Published date: 31 December 2013
Keywords: Andreas, Old English, urbanism, landscapes, environments, horror, cannibalism

Identifiers

Local EPrints ID: 488168
URI: http://eprints.soton.ac.uk/id/eprint/488168
ISSN: 2040-3283
PURE UUID: 2d554a04-56f4-4c19-bfba-36a12f3c64cc
ORCID for Mike Bintley: ORCID iD orcid.org/0000-0001-7244-6181

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Date deposited: 17 Mar 2024 05:15
Last modified: 18 Mar 2024 04:14

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Author: Mike Bintley ORCID iD

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