The symbol of social media in contemporary protest: Twitter and the Gezi Park movement
The symbol of social media in contemporary protest: Twitter and the Gezi Park movement
This article explores how Twitter has emerged as a signifier of contemporary protest. Using the concept of ‘social media imaginaries’, a derivative of the broader field of ‘media imaginaries’, our analysis seeks to offer new insights into activists’ relation to and conceptualisation of social media and how it shapes their digital media practices. Extending the concept of media imaginaries to include analysis of protestors’ use of aesthetics, it aims to unpick how a particular ‘social media imaginary’ is constructed and informs their collective identity. Using the Gezi Park protest of 2013 as a case study, it illustrates how social media became a symbolic part of the protest movement by providing the visualised possibility of imagining the movement. In previous research, the main emphasis has been given to the functionality of social media as a means of information sharing and a tool for protest organisation. This article seeks to redress this by directing our attention to the role of visual communication in online protest expressions and thus also illustrates the role of visual analysis in social movement studies.
414-437
Jenzen, Olu
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Erhart, Itir
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Eslen-Ziya, Hande
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Korkut, Umut
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McGarry, Aidan
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6 April 2021
Jenzen, Olu
ea2f2c5f-197f-4595-8f38-0548817bf25b
Erhart, Itir
5d544e06-6f5f-4d96-8953-40b20252e7b9
Eslen-Ziya, Hande
ac9340fd-5856-467a-858b-dc5e52d22a53
Korkut, Umut
c17eb864-7ca3-4e1e-a535-a23ab22aae5c
McGarry, Aidan
b8506739-d4af-4bee-8e15-ca8883b8b8ad
Jenzen, Olu, Erhart, Itir, Eslen-Ziya, Hande, Korkut, Umut and McGarry, Aidan
(2021)
The symbol of social media in contemporary protest: Twitter and the Gezi Park movement.
Convergence: The International Journal of Research into New Media Technologies, 27 (2), .
(doi:10.1177/1354856520933747).
Abstract
This article explores how Twitter has emerged as a signifier of contemporary protest. Using the concept of ‘social media imaginaries’, a derivative of the broader field of ‘media imaginaries’, our analysis seeks to offer new insights into activists’ relation to and conceptualisation of social media and how it shapes their digital media practices. Extending the concept of media imaginaries to include analysis of protestors’ use of aesthetics, it aims to unpick how a particular ‘social media imaginary’ is constructed and informs their collective identity. Using the Gezi Park protest of 2013 as a case study, it illustrates how social media became a symbolic part of the protest movement by providing the visualised possibility of imagining the movement. In previous research, the main emphasis has been given to the functionality of social media as a means of information sharing and a tool for protest organisation. This article seeks to redress this by directing our attention to the role of visual communication in online protest expressions and thus also illustrates the role of visual analysis in social movement studies.
Text
jenzen-et-al-2020-the-symbol-of-social-media-in-contemporary-protest-twitter-and-the-gezi-park-movement
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e-pub ahead of print date: 6 July 2020
Published date: 6 April 2021
Identifiers
Local EPrints ID: 488405
URI: http://eprints.soton.ac.uk/id/eprint/488405
ISSN: 1354-8565
PURE UUID: 5d2ba739-8fae-4e40-a870-b8bcf392c997
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Date deposited: 21 Mar 2024 17:51
Last modified: 21 Mar 2024 17:55
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Contributors
Author:
Olu Jenzen
Author:
Itir Erhart
Author:
Hande Eslen-Ziya
Author:
Umut Korkut
Author:
Aidan McGarry
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