The Aesthetics of Global Protest: Visual Culture and Communication
The Aesthetics of Global Protest: Visual Culture and Communication
Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.
Amsterdam University Press
McGarry, Aidan
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Erhart, Itir
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Eslen-Ziya, Hande
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Jenzen, Olu
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Korkut, Umut
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2020
McGarry, Aidan
b8506739-d4af-4bee-8e15-ca8883b8b8ad
Erhart, Itir
5d544e06-6f5f-4d96-8953-40b20252e7b9
Eslen-Ziya, Hande
ac9340fd-5856-467a-858b-dc5e52d22a53
Jenzen, Olu
ea2f2c5f-197f-4595-8f38-0548817bf25b
Korkut, Umut
c17eb864-7ca3-4e1e-a535-a23ab22aae5c
McGarry, Aidan, Erhart, Itir, Eslen-Ziya, Hande, Jenzen, Olu and Korkut, Umut
(eds.)
(2020)
The Aesthetics of Global Protest: Visual Culture and Communication
,
Amsterdam, Netherlands.
Amsterdam University Press, 296pp.
Abstract
Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.
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Published date: 2020
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Local EPrints ID: 488542
URI: http://eprints.soton.ac.uk/id/eprint/488542
PURE UUID: 96a8200e-25d5-4fb6-b0e7-acdb2fda70d3
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Date deposited: 26 Mar 2024 17:47
Last modified: 26 Mar 2024 17:47
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Contributors
Editor:
Aidan McGarry
Editor:
Itir Erhart
Editor:
Hande Eslen-Ziya
Editor:
Olu Jenzen
Editor:
Umut Korkut
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