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Metalithic postcards during the pandemic

Metalithic postcards during the pandemic
Metalithic postcards during the pandemic
We present a series of Art/Archaeology digitalised 'postcards’ developed by the authors while working - physically separated - on a transdisciplinary collaboration during the lockdowns of the coronavirus pandemic. These postcards track and trace the initial act of discovery and the subsequent registration, analysis, and (re)presentation of a silica artefact initially made in the mesolithic period, and the contemporary setting and its place of discovery, through silicon-based new channels of re(dis)covery.

Through a series of recursive post-human imaging projects, archaeological and artistic practices are diffracted through one another, and through human and machinic ways of vision. The ‘strange loops’ of perception we produce through our diffractive approach forces us to radically reconsider and (re)present the scale, materialities and temporalities of the original artefact and its setting in new thought-provoking physical, digital and indeed both combined (i.e. phygital) Art/Archaeology assemblages that disarticulate, repurpose and disrupt traditionally safe institutional modes of interpretation and narration. We try to free both the human and machinic practioners (Flusser's 'functionaries') from slavishly following anachronistic practices. We describe these digitalised new|old objects as 'metalithic'.

Each postcard is composed of a captioned image, a diffractively contextualising quotation (i.e. a viewpoint offering an interesting different perspective), which is supported by a deeper account of the main diffractive insights obtained at key stages of the project.

Keywords: Art/Archaeology; (meta)lithics; recursion; Reflectance Transformation Imaging (RTI); Structure from Motion photogrammetry (SfM); Style Transfer
267-307
Edinburgh University Press
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Reilly, Paul
b6f40815-aa39-4790-afc4-1f793c4bd151
Eldridge, Luci
Trivedi, Nina
Dawson, Ian
3b598f16-b350-4fbc-89aa-ef92eba6abfa
Reilly, Paul
b6f40815-aa39-4790-afc4-1f793c4bd151
Eldridge, Luci
Trivedi, Nina

Dawson, Ian and Reilly, Paul (2024) Metalithic postcards during the pandemic. In, Eldridge, Luci and Trivedi, Nina (eds.) Robotic Vision and Virtual Interfacings. Seeing, Sensing, Shaping. (Technicities) Edinburgh. Edinburgh University Press, pp. 267-307.

Record type: Book Section

Abstract

We present a series of Art/Archaeology digitalised 'postcards’ developed by the authors while working - physically separated - on a transdisciplinary collaboration during the lockdowns of the coronavirus pandemic. These postcards track and trace the initial act of discovery and the subsequent registration, analysis, and (re)presentation of a silica artefact initially made in the mesolithic period, and the contemporary setting and its place of discovery, through silicon-based new channels of re(dis)covery.

Through a series of recursive post-human imaging projects, archaeological and artistic practices are diffracted through one another, and through human and machinic ways of vision. The ‘strange loops’ of perception we produce through our diffractive approach forces us to radically reconsider and (re)present the scale, materialities and temporalities of the original artefact and its setting in new thought-provoking physical, digital and indeed both combined (i.e. phygital) Art/Archaeology assemblages that disarticulate, repurpose and disrupt traditionally safe institutional modes of interpretation and narration. We try to free both the human and machinic practioners (Flusser's 'functionaries') from slavishly following anachronistic practices. We describe these digitalised new|old objects as 'metalithic'.

Each postcard is composed of a captioned image, a diffractively contextualising quotation (i.e. a viewpoint offering an interesting different perspective), which is supported by a deeper account of the main diffractive insights obtained at key stages of the project.

Keywords: Art/Archaeology; (meta)lithics; recursion; Reflectance Transformation Imaging (RTI); Structure from Motion photogrammetry (SfM); Style Transfer

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More information

Published date: 29 February 2024

Identifiers

Local EPrints ID: 489127
URI: http://eprints.soton.ac.uk/id/eprint/489127
PURE UUID: b0c40399-d44d-4336-af57-dc12b55b92d4
ORCID for Ian Dawson: ORCID iD orcid.org/0000-0002-3695-8582
ORCID for Paul Reilly: ORCID iD orcid.org/0000-0002-8067-8991

Catalogue record

Date deposited: 15 Apr 2024 16:44
Last modified: 16 Apr 2024 01:54

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Contributors

Author: Ian Dawson ORCID iD
Author: Paul Reilly ORCID iD
Editor: Luci Eldridge
Editor: Nina Trivedi

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