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From Dürer’s rhinoceros to AI image diffusion models

From Dürer’s rhinoceros to AI image diffusion models
From Dürer’s rhinoceros to AI image diffusion models
The article explores the intersection of artificial intelligence (AI) and image creation, comparing the advancements in AI image diffusion models like OpenAI's DALL-E 2 with Albrecht Dürer’s iconic 1515 woodcut of a rhinoceros. It discusses how both Dürer's artwork and AI-generated images challenge traditional notions of knowledge production and representation. Dürer's rhinoceros, produced from textual descriptions without direct observation, is paralleled with modern AI's ability to generate images based on vast datasets. The article examines the historical significance of the rhinoceros as a symbol of early globalization and the Anthropocene, together with the societal, epistemological, and environmental dilemmas posed by AI's rapid development. By drawing such parallels, the complex relationship between technology, art, and the representation of the world is highlighted, emphasizing the implications of AI in reshaping our understanding and documentation of reality.
AI, classification, Dürer, episteme, representation, rhinoceros.
2704-7547
3-19
Birkin, Jane
30ada6e1-9603-4a9c-9159-8297758817fe
Manghani, Sunil
75650a9a-458d-4e1a-9480-94491300e385
Birkin, Jane
30ada6e1-9603-4a9c-9159-8297758817fe
Manghani, Sunil
75650a9a-458d-4e1a-9480-94491300e385

Birkin, Jane and Manghani, Sunil (2024) From Dürer’s rhinoceros to AI image diffusion models. Holotipus rivista di zoologia sistematica e tassonomia, 5 (1), 3-19, [4]. (doi:10.5281/ZENODO.10848177).

Record type: Article

Abstract

The article explores the intersection of artificial intelligence (AI) and image creation, comparing the advancements in AI image diffusion models like OpenAI's DALL-E 2 with Albrecht Dürer’s iconic 1515 woodcut of a rhinoceros. It discusses how both Dürer's artwork and AI-generated images challenge traditional notions of knowledge production and representation. Dürer's rhinoceros, produced from textual descriptions without direct observation, is paralleled with modern AI's ability to generate images based on vast datasets. The article examines the historical significance of the rhinoceros as a symbol of early globalization and the Anthropocene, together with the societal, epistemological, and environmental dilemmas posed by AI's rapid development. By drawing such parallels, the complex relationship between technology, art, and the representation of the world is highlighted, emphasizing the implications of AI in reshaping our understanding and documentation of reality.

Text
Holotipus article 4, Vol5-1, 2024 1-20 - Version of Record
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More information

Published date: 21 March 2024
Keywords: AI, classification, Dürer, episteme, representation, rhinoceros.

Identifiers

Local EPrints ID: 489155
URI: http://eprints.soton.ac.uk/id/eprint/489155
ISSN: 2704-7547
PURE UUID: 19f3e791-7048-45eb-9588-8f02b117c986
ORCID for Jane Birkin: ORCID iD orcid.org/0000-0002-6025-9300
ORCID for Sunil Manghani: ORCID iD orcid.org/0000-0001-6406-7456

Catalogue record

Date deposited: 16 Apr 2024 16:31
Last modified: 17 Apr 2024 01:44

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