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‘Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. I: figures

‘Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. I: figures
‘Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. I: figures
Explores Van Gogh's idealisation of Egyptian art and society, and its impact on his art, especially the 'sphinx' self-portraits. Previously, only his interest in Japanese art has been considered.
Van Gogh Egyptian art
0007-6287
280-301
Hall, James
48dd240e-f874-4d3a-9c4a-17464d5d14c6
Hall, James
48dd240e-f874-4d3a-9c4a-17464d5d14c6

Hall, James (2023) ‘Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. I: figures. The Burlington Magazine, 165 (March 2023), 280-301, [4].

Record type: Article

Abstract

Explores Van Gogh's idealisation of Egyptian art and society, and its impact on his art, especially the 'sphinx' self-portraits. Previously, only his interest in Japanese art has been considered.

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More information

Published date: 1 March 2023
Keywords: Van Gogh Egyptian art

Identifiers

Local EPrints ID: 490300
URI: http://eprints.soton.ac.uk/id/eprint/490300
ISSN: 0007-6287
PURE UUID: efd3f4b9-d33b-4216-8a5f-ef2d09f9e6c0

Catalogue record

Date deposited: 23 May 2024 16:40
Last modified: 23 May 2024 16:44

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