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Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. 2: obelisks

Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. 2: obelisks
Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. 2: obelisks
Explores for the first time Van Gogh's idealisation of Egyptian art and society, especially in relation to his comparison of cypress trees to obelisks. New interpretation of Starry Night.
Van Gogh, Global art, Egyptian art, Egyptomania, 19th century art
0007-6287
394-411
Hall, James
48dd240e-f874-4d3a-9c4a-17464d5d14c6
Hall, James
48dd240e-f874-4d3a-9c4a-17464d5d14c6

Hall, James (2023) Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. 2: obelisks. The Burlington Magazine, 165 (April), 394-411, [1].

Record type: Article

Abstract

Explores for the first time Van Gogh's idealisation of Egyptian art and society, especially in relation to his comparison of cypress trees to obelisks. New interpretation of Starry Night.

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More information

Published date: 1 April 2023
Keywords: Van Gogh, Global art, Egyptian art, Egyptomania, 19th century art

Identifiers

Local EPrints ID: 490302
URI: http://eprints.soton.ac.uk/id/eprint/490302
ISSN: 0007-6287
PURE UUID: 42c30e29-ebd8-4b33-9e4d-22bcefa801e4

Catalogue record

Date deposited: 23 May 2024 16:41
Last modified: 05 Jun 2024 17:46

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