Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. 2: obelisks
Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. 2: obelisks
Explores for the first time Van Gogh's idealisation of Egyptian art and society, especially in relation to his comparison of cypress trees to obelisks. New interpretation of Starry Night.
Van Gogh, Global art, Egyptian art, Egyptomania, 19th century art
394-411
Hall, James
48dd240e-f874-4d3a-9c4a-17464d5d14c6
1 April 2023
Hall, James
48dd240e-f874-4d3a-9c4a-17464d5d14c6
Hall, James
(2023)
Becoming “obeliscal”: Van Gogh, ancient Egypt and the global south. 2: obelisks.
The Burlington Magazine, 165 (April), , [1].
Abstract
Explores for the first time Van Gogh's idealisation of Egyptian art and society, especially in relation to his comparison of cypress trees to obelisks. New interpretation of Starry Night.
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Published date: 1 April 2023
Keywords:
Van Gogh, Global art, Egyptian art, Egyptomania, 19th century art
Identifiers
Local EPrints ID: 490302
URI: http://eprints.soton.ac.uk/id/eprint/490302
ISSN: 0007-6287
PURE UUID: 42c30e29-ebd8-4b33-9e4d-22bcefa801e4
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Date deposited: 23 May 2024 16:41
Last modified: 05 Jun 2024 17:46
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