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Human-like inclinations: Composing a multimedia live installation with AI

Human-like inclinations: Composing a multimedia live installation with AI
Human-like inclinations: Composing a multimedia live installation with AI
A world premiere event, Dr Pablo Galaz showcases a live installation featuring (Amsterdam-based) musical collective Ensemble Resilience and multidisciplinary artist Angela Wai Nok Hu, in which the audience is immersed in live audiovisuals generated by both humans and AI.

Pablo’s composition (centres on AI notions such as bias and) is inspired by the question: “What would it mean for a machine (AI) to understand what it is like to be the kind of creature we are?”

The audience will be invited to explore the ARC Performance Hall whilst sounds produced by computer models specifically trained for this project by composer and software developer Dr Christopher Melen, musical performers, a multichannel sound diffusion system and video projections, create an immersive experience combining audiovisual elements controlled with facial recognition and sounds generated by electromagnetic waves that are not usually within the reach of the human ear. “Research in fields such as biolinguistics has shown that there is a blurry distinction between growing and learning in human beings. Our way of learning and growing differs fundamentally from the way AI models are trained. Using visual imagery from medical datasets and facial recognition to control sounds and images in real-time, this piece is inspired by the question: ‘What would it mean for a machine (AI) to understand what it is like to be the kind of creature we are?” explains Pablo.
music composition, AI, human-machine interaction, Live Electronics, installation, performance
Galaz, Pablo
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Melen, Christopher
6706e5ef-75d6-493d-a28e-b4e1ebb62249
Lee, Tiarna
714301ff-daab-4cb2-b79c-6405427a42ca
Hui Wai Nok, Angela
8ed2f8ea-0973-4584-9cc3-c98daed427f9
Kulina, Natálie
eb3a697a-f8cd-49ad-9114-e59254f0a8b8
Danesi, Marco
8ca9a42e-bc5e-4c37-8bf0-316f90cafbe4
Gorini, Paolo
5caa32fa-1e21-4a89-a19f-89f58f2d50e7
Galaz, Pablo
bafb374e-3ed5-4766-8ce6-c6ea34b8fac8
Melen, Christopher
6706e5ef-75d6-493d-a28e-b4e1ebb62249
Lee, Tiarna
714301ff-daab-4cb2-b79c-6405427a42ca
Hui Wai Nok, Angela
8ed2f8ea-0973-4584-9cc3-c98daed427f9
Kulina, Natálie
eb3a697a-f8cd-49ad-9114-e59254f0a8b8
Danesi, Marco
8ca9a42e-bc5e-4c37-8bf0-316f90cafbe4
Gorini, Paolo
5caa32fa-1e21-4a89-a19f-89f58f2d50e7

Galaz, Pablo, Melen, Christopher, Lee, Tiarna, Hui Wai Nok, Angela, Kulina, Natálie, Danesi, Marco and Gorini, Paolo (2024) Human-like inclinations: Composing a multimedia live installation with AI.

Record type: Music Item

Abstract

A world premiere event, Dr Pablo Galaz showcases a live installation featuring (Amsterdam-based) musical collective Ensemble Resilience and multidisciplinary artist Angela Wai Nok Hu, in which the audience is immersed in live audiovisuals generated by both humans and AI.

Pablo’s composition (centres on AI notions such as bias and) is inspired by the question: “What would it mean for a machine (AI) to understand what it is like to be the kind of creature we are?”

The audience will be invited to explore the ARC Performance Hall whilst sounds produced by computer models specifically trained for this project by composer and software developer Dr Christopher Melen, musical performers, a multichannel sound diffusion system and video projections, create an immersive experience combining audiovisual elements controlled with facial recognition and sounds generated by electromagnetic waves that are not usually within the reach of the human ear. “Research in fields such as biolinguistics has shown that there is a blurry distinction between growing and learning in human beings. Our way of learning and growing differs fundamentally from the way AI models are trained. Using visual imagery from medical datasets and facial recognition to control sounds and images in real-time, this piece is inspired by the question: ‘What would it mean for a machine (AI) to understand what it is like to be the kind of creature we are?” explains Pablo.

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More information

Published date: 2 June 2024
Venue - Dates: AI Arts Festival 2024, The ARC and Theatre Royal Winceshter, Winchester, United Kingdom, 2024-06-02 - 2024-06-02
Keywords: music composition, AI, human-machine interaction, Live Electronics, installation, performance

Identifiers

Local EPrints ID: 491001
URI: http://eprints.soton.ac.uk/id/eprint/491001
PURE UUID: cd65b936-978e-44b6-8556-d8dd545194d0

Catalogue record

Date deposited: 11 Jun 2024 16:36
Last modified: 11 Jun 2024 16:36

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Contributors

Author: Pablo Galaz
Programmer: Christopher Melen
Other: Tiarna Lee
Performer: Angela Hui Wai Nok
Performer: Natálie Kulina
Performer: Marco Danesi
Performer: Paolo Gorini

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