We'll find out when we get there
We'll find out when we get there
We’ll Find Out When We Get There is a major new inter-disciplinary work exploring sound, space and human perception. A site-responsive collaboration between composer/creative director Drew Crawford, the virtuosic musicians of Plus Minus Ensemble and Tim Hand (audio), the one-hour work lies at the intersection of musical performance, art installation, choreography and acoustic experiment, designed to respond to and illuminate the aural architecture of the multi-chamber gallery spaces in which it is performed.
The term “site-responsive” refers to the way in which the work has been designed to adapt to a variety of multi-space gallery venues, activating those spaces and responding to their acoustic properties and choreographic/theatrical potentials.
In the process, our deeply emotional and often unconscious relationship to space is made conscious and audible: sounds expand to fill the whole gallery, then contract to a single, intimate corner; melodies are moved around physically in myriad ingenious ways; sine waves completely frustrate our sense of the built environment.
The result is playful, thoughtful, immersive, accessible and engaging, yet emotionally complex, allowing audiences to experience physical spaces in a new way.
site-responsive
Crawford, Drew
c0b21df8-0d1f-4cbf-870b-b5c6b2fbd34c
12 May 2024
Crawford, Drew
c0b21df8-0d1f-4cbf-870b-b5c6b2fbd34c
Crawford, Drew
(2024)
We'll find out when we get there.
Abstract
We’ll Find Out When We Get There is a major new inter-disciplinary work exploring sound, space and human perception. A site-responsive collaboration between composer/creative director Drew Crawford, the virtuosic musicians of Plus Minus Ensemble and Tim Hand (audio), the one-hour work lies at the intersection of musical performance, art installation, choreography and acoustic experiment, designed to respond to and illuminate the aural architecture of the multi-chamber gallery spaces in which it is performed.
The term “site-responsive” refers to the way in which the work has been designed to adapt to a variety of multi-space gallery venues, activating those spaces and responding to their acoustic properties and choreographic/theatrical potentials.
In the process, our deeply emotional and often unconscious relationship to space is made conscious and audible: sounds expand to fill the whole gallery, then contract to a single, intimate corner; melodies are moved around physically in myriad ingenious ways; sine waves completely frustrate our sense of the built environment.
The result is playful, thoughtful, immersive, accessible and engaging, yet emotionally complex, allowing audiences to experience physical spaces in a new way.
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More information
Published date: 12 May 2024
Keywords:
site-responsive
Identifiers
Local EPrints ID: 491055
URI: http://eprints.soton.ac.uk/id/eprint/491055
PURE UUID: cf444c5f-c714-46a6-9163-819438676c30
Catalogue record
Date deposited: 11 Jun 2024 16:47
Last modified: 12 Jun 2024 01:54
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