‘Come on in! The tent’s big enough for everyone’: slash fiction as a site for activism and change
‘Come on in! The tent’s big enough for everyone’: slash fiction as a site for activism and change
This paper draws on a piece of wide-scale mixed-methods research (n=429) that examines how women who write and read male/male erotica feel their involvement with the genre has affected their views on gender and sexuality and their political engagement with gay rights issues. Previous work has looked at how online slashfic communities might provide a safe space for exploring gender performance and sexuality, while other researchers have observed a tension between those who identify as queer themselves and those who only 'play at queerness' exclusively within the online environment. However, much of this work has examined the theoretical positioning of such forums as transgressive and/or political. Far fewer pieces have attempted to engage with the women who frequent such sites to ask them about whether their involvement in these online spaces has affected their attitudes and behaviours. This study looks not only at the ways in which online m/m fandoms can act as a safe space for women to explore their sexualities and gender identities, but whether and how these insights connect to women’s real-world lives. Data presented here shows a strong consensus among participants that involvement with explicit slash communities has had a positive effect on their lives, as well as contributing to beneficial changes in their knowledge, attitudes, and practices with regards to LGBTQ+ issues. Overall, slash is seen as a medium which can create better allies, encourage cross-identification, and bring about positive personal changes. To this extent, I argue that explicit online slash sites can act as heterotopias.
384-398
Neville, Lucy
a8e9c5d1-bcd7-4718-bef4-301becabfaab
Neville, Lucy
a8e9c5d1-bcd7-4718-bef4-301becabfaab
Neville, Lucy
(2018)
‘Come on in! The tent’s big enough for everyone’: slash fiction as a site for activism and change.
Gender, Place & Culture, 25 (3), .
(doi:10.1080/0966369X.2017.1420633).
Abstract
This paper draws on a piece of wide-scale mixed-methods research (n=429) that examines how women who write and read male/male erotica feel their involvement with the genre has affected their views on gender and sexuality and their political engagement with gay rights issues. Previous work has looked at how online slashfic communities might provide a safe space for exploring gender performance and sexuality, while other researchers have observed a tension between those who identify as queer themselves and those who only 'play at queerness' exclusively within the online environment. However, much of this work has examined the theoretical positioning of such forums as transgressive and/or political. Far fewer pieces have attempted to engage with the women who frequent such sites to ask them about whether their involvement in these online spaces has affected their attitudes and behaviours. This study looks not only at the ways in which online m/m fandoms can act as a safe space for women to explore their sexualities and gender identities, but whether and how these insights connect to women’s real-world lives. Data presented here shows a strong consensus among participants that involvement with explicit slash communities has had a positive effect on their lives, as well as contributing to beneficial changes in their knowledge, attitudes, and practices with regards to LGBTQ+ issues. Overall, slash is seen as a medium which can create better allies, encourage cross-identification, and bring about positive personal changes. To this extent, I argue that explicit online slash sites can act as heterotopias.
Text
The Tents Big Enough - final version with formatting and references
- Accepted Manuscript
More information
Accepted/In Press date: 15 November 2017
e-pub ahead of print date: 27 February 2018
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Local EPrints ID: 493008
URI: http://eprints.soton.ac.uk/id/eprint/493008
ISSN: 0966-369X
PURE UUID: 7900ed7e-ecd4-4715-94a6-925f9fa3b8ae
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Date deposited: 21 Aug 2024 17:13
Last modified: 22 Aug 2024 02:08
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Author:
Lucy Neville
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