The University of Southampton
University of Southampton Institutional Repository

"There is no status quo": 'Crisis' and Nostalgia in the Vote Leave Campaign

"There is no status quo": 'Crisis' and Nostalgia in the Vote Leave Campaign
"There is no status quo": 'Crisis' and Nostalgia in the Vote Leave Campaign
This thesis examines the role of nostalgia in the 2016 Brexit referendum Vote Leave campaign. Extant literature on elite British Euroscepticism has highlighted the persistence of imaginaries of national history in discourses of EU opposition but neglected to explore the emotive dynamics of historical framing. Without reference to emotion, such discussions of Euroscepticism appear rather anodyne. The thesis contributes to addressing that paucity by arguing that one emotion in particular – nostalgia – accounts for the persistence and resonance of dominant ideas about the national past within Britain’s Eurosceptic elite. Focusing on the 2016 referendum, it therefore asks how nostalgia was invoked by the Vote Leave campaign and how this relates to the evolution of Britain’s elite Eurosceptic traditions over time. By employing an historically and culturally situated Discursive Institutionalist analytical framework, the thesis explores how background nostalgic structures of feeling have worked with foreground discursive representations of nostalgia to constitute distinctive emotional communities of elite British Eurosceptics. Drawing on archival documents, visual material and interviews, the thesis charts how interlocking banal, empire, and Powellite varieties of nostalgia have been expressed through time in divergent discursive representations or nostalgia modes. It argues that two distinctive nostalgia modes have fractured the Eurosceptic movement into two sets of emotional communities, with one faction favouring explicit forms of nostalgic display and the other preferring tempered representations of nostalgia. Showing how Vote Leave emerged from a tempered nostalgia mode prevalent within the contemporary Conservative Eurosceptic movement, the thesis then provides a fine-grained analysis of how each of the three varieties of nostalgia was invoked by the campaign during the 2016 referendum. In doing so, the thesis explores how nostalgia traverses conventional binaries of reason and emotion, memory and amnesia, past and future, stability and revolution, and illuminates the emotive politics of Eurosceptic appeals to history.
Melhuish, Francesca
c0ab0898-d938-4f4e-bca9-af48815d1f69
Melhuish, Francesca
c0ab0898-d938-4f4e-bca9-af48815d1f69
Siles-Brügge, Gabriel
a4a10e62-6d93-466f-b2f5-5cdda0b7da60
Squire, Vicki
d9fba8e6-a8d3-41af-a7d1-98b463870d06

Melhuish, Francesca (2021) "There is no status quo": 'Crisis' and Nostalgia in the Vote Leave Campaign. University of Warwick, Doctoral Thesis.

Record type: Thesis (Doctoral)

Abstract

This thesis examines the role of nostalgia in the 2016 Brexit referendum Vote Leave campaign. Extant literature on elite British Euroscepticism has highlighted the persistence of imaginaries of national history in discourses of EU opposition but neglected to explore the emotive dynamics of historical framing. Without reference to emotion, such discussions of Euroscepticism appear rather anodyne. The thesis contributes to addressing that paucity by arguing that one emotion in particular – nostalgia – accounts for the persistence and resonance of dominant ideas about the national past within Britain’s Eurosceptic elite. Focusing on the 2016 referendum, it therefore asks how nostalgia was invoked by the Vote Leave campaign and how this relates to the evolution of Britain’s elite Eurosceptic traditions over time. By employing an historically and culturally situated Discursive Institutionalist analytical framework, the thesis explores how background nostalgic structures of feeling have worked with foreground discursive representations of nostalgia to constitute distinctive emotional communities of elite British Eurosceptics. Drawing on archival documents, visual material and interviews, the thesis charts how interlocking banal, empire, and Powellite varieties of nostalgia have been expressed through time in divergent discursive representations or nostalgia modes. It argues that two distinctive nostalgia modes have fractured the Eurosceptic movement into two sets of emotional communities, with one faction favouring explicit forms of nostalgic display and the other preferring tempered representations of nostalgia. Showing how Vote Leave emerged from a tempered nostalgia mode prevalent within the contemporary Conservative Eurosceptic movement, the thesis then provides a fine-grained analysis of how each of the three varieties of nostalgia was invoked by the campaign during the 2016 referendum. In doing so, the thesis explores how nostalgia traverses conventional binaries of reason and emotion, memory and amnesia, past and future, stability and revolution, and illuminates the emotive politics of Eurosceptic appeals to history.

This record has no associated files available for download.

More information

e-pub ahead of print date: 2021

Identifiers

Local EPrints ID: 493609
URI: http://eprints.soton.ac.uk/id/eprint/493609
PURE UUID: 94172849-d7f3-4137-8f3c-e26c960e1b45
ORCID for Francesca Melhuish: ORCID iD orcid.org/0000-0002-2952-5607

Catalogue record

Date deposited: 09 Sep 2024 16:43
Last modified: 10 Sep 2024 02:10

Export record

Contributors

Author: Francesca Melhuish ORCID iD
Thesis advisor: Gabriel Siles-Brügge
Thesis advisor: Vicki Squire

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×