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Breaking down the breakdown in twenty-first-century metal

Breaking down the breakdown in twenty-first-century metal
Breaking down the breakdown in twenty-first-century metal
In this article, I introduce the breakdown as a formal structure identified in certain styles of modern metal, especially metalcore. Breakdowns are widely considered to be distinct sections of a song, much like a verse or chorus: this observation provides the basis for defining breakdowns structurally using music analysis. Responding to the nascent field of research on popular music fandom, I next discuss curatorial practices focusing upon breakdowns, where online fan communities collect their favourites, rate them and compare how they are employed in metal music. Moving beyond their use as extracts of recorded tracks, I investigate some possible uses and accompaniments for breakdowns in live settings. In particular, metal performance scenarios can emphasize breakdowns as opportunities for moshing and other forms of collective motion. Finally, I consider potential listening experiences of breakdowns (and their accessibility), from catharsis and emotional release to communal belonging.
337-354
Gamble, Steven
5c087d9b-e9b4-4a31-ae97-b25da3defb90
Gamble, Steven
5c087d9b-e9b4-4a31-ae97-b25da3defb90

Gamble, Steven (2019) Breaking down the breakdown in twenty-first-century metal. Metal Music Studies, 5 (3), 337-354. (doi:10.1386/mms.5.3.337_1).

Record type: Article

Abstract

In this article, I introduce the breakdown as a formal structure identified in certain styles of modern metal, especially metalcore. Breakdowns are widely considered to be distinct sections of a song, much like a verse or chorus: this observation provides the basis for defining breakdowns structurally using music analysis. Responding to the nascent field of research on popular music fandom, I next discuss curatorial practices focusing upon breakdowns, where online fan communities collect their favourites, rate them and compare how they are employed in metal music. Moving beyond their use as extracts of recorded tracks, I investigate some possible uses and accompaniments for breakdowns in live settings. In particular, metal performance scenarios can emphasize breakdowns as opportunities for moshing and other forms of collective motion. Finally, I consider potential listening experiences of breakdowns (and their accessibility), from catharsis and emotional release to communal belonging.

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Published date: 1 September 2019

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Local EPrints ID: 496107
URI: http://eprints.soton.ac.uk/id/eprint/496107
PURE UUID: d9597630-19b6-4539-9175-41f8f1aaf2ea
ORCID for Steven Gamble: ORCID iD orcid.org/0000-0002-2823-3864

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Date deposited: 04 Dec 2024 17:36
Last modified: 04 Feb 2025 03:14

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Author: Steven Gamble ORCID iD

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