Analyzing hip-hop hacktivism and automobility in Injury Reserve's (2019) “Jailbreak the Tesla” (Feat. Aminé)
Analyzing hip-hop hacktivism and automobility in Injury Reserve's (2019) “Jailbreak the Tesla” (Feat. Aminé)
This chapter analyzes the recorded track “Jailbreak the Tesla (feat. Aminé)” (2019) by the American hip-hop group Injury Reserve. A superficial reading of the track connotes the thrill of joyriding, but the busy dynamism and intricate timbral make-up of the beat afford deeper interpretations relating to automobility and technological innovation. After an introduction to the group, the chapter features analysis of the rhythm and timbre of the “Jailbreak” beat, with attention to the production of vocal timbre across the course of the track. It next considers the significance of such analysis with reference to listening contexts, the persona-environment relation, and the lyrics. Finally, the “so what” question is asked of the analysis in the chapter, concluding in a discussion of how the track implicates driving, the hacking culture of jailbreaking, and listening to hip-hop as racialized practices.
Gamble, Steven
5c087d9b-e9b4-4a31-ae97-b25da3defb90
Williams, Justin
51c7c470-148d-4bf8-b8d8-9686d16d134c
23 November 2022
Gamble, Steven
5c087d9b-e9b4-4a31-ae97-b25da3defb90
Williams, Justin
51c7c470-148d-4bf8-b8d8-9686d16d134c
Gamble, Steven and Williams, Justin
(2022)
Analyzing hip-hop hacktivism and automobility in Injury Reserve's (2019) “Jailbreak the Tesla” (Feat. Aminé).
In,
Moylan, William, Burns, Lori and Alleyne, Mike
(eds.)
Analyzing Recorded Music: Collected Perpsectives on Popular Music Tracks.
London.
Focal Press.
(doi:10.4324/9781003089926-4).
Record type:
Book Section
Abstract
This chapter analyzes the recorded track “Jailbreak the Tesla (feat. Aminé)” (2019) by the American hip-hop group Injury Reserve. A superficial reading of the track connotes the thrill of joyriding, but the busy dynamism and intricate timbral make-up of the beat afford deeper interpretations relating to automobility and technological innovation. After an introduction to the group, the chapter features analysis of the rhythm and timbre of the “Jailbreak” beat, with attention to the production of vocal timbre across the course of the track. It next considers the significance of such analysis with reference to listening contexts, the persona-environment relation, and the lyrics. Finally, the “so what” question is asked of the analysis in the chapter, concluding in a discussion of how the track implicates driving, the hacking culture of jailbreaking, and listening to hip-hop as racialized practices.
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Published date: 23 November 2022
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Local EPrints ID: 496625
URI: http://eprints.soton.ac.uk/id/eprint/496625
PURE UUID: a4bd37d5-c6eb-467b-842f-79c66122aa4b
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Date deposited: 07 Jan 2025 18:39
Last modified: 04 Feb 2025 03:14
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Contributors
Author:
Steven Gamble
Author:
Justin Williams
Editor:
William Moylan
Editor:
Lori Burns
Editor:
Mike Alleyne
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