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Hip-hop music producers’ labour in the digital music economy: self-promotion, social media and platform gatekeeping

Hip-hop music producers’ labour in the digital music economy: self-promotion, social media and platform gatekeeping
Hip-hop music producers’ labour in the digital music economy: self-promotion, social media and platform gatekeeping

There has been much debate concerning the changing nature of cultural production and distribution in the digital creative economy. Music production work has been especially affected by promotional conventions established by social media and music streaming platforms. This article critically builds atop perspectives on the platformisation of cultural production to investigate how independent hip-hop music producers develop their careers in the era of digital media platforms. It examines how traditional media and digital platform gatekeepers affect producers’ abilities to professionalise, promote creative work to audiences and manage precarious conditions for their labour. Insights from interviews with 15 producers from 8 countries are analysed and discussed to provide a nuanced view of the conditions for music production careers in the platform era of the digital creative industries.

Creative labour, cultural production, digital music economy, platforms, social media
Ng, Jason
39d2876a-9912-4e4f-bbd7-c6eb256d9f4a
Gamble, Steven
5c087d9b-e9b4-4a31-ae97-b25da3defb90
Ng, Jason
39d2876a-9912-4e4f-bbd7-c6eb256d9f4a
Gamble, Steven
5c087d9b-e9b4-4a31-ae97-b25da3defb90

Ng, Jason and Gamble, Steven (2024) Hip-hop music producers’ labour in the digital music economy: self-promotion, social media and platform gatekeeping. New Media & Society. (doi:10.1177/14614448241295304).

Record type: Article

Abstract

There has been much debate concerning the changing nature of cultural production and distribution in the digital creative economy. Music production work has been especially affected by promotional conventions established by social media and music streaming platforms. This article critically builds atop perspectives on the platformisation of cultural production to investigate how independent hip-hop music producers develop their careers in the era of digital media platforms. It examines how traditional media and digital platform gatekeepers affect producers’ abilities to professionalise, promote creative work to audiences and manage precarious conditions for their labour. Insights from interviews with 15 producers from 8 countries are analysed and discussed to provide a nuanced view of the conditions for music production careers in the platform era of the digital creative industries.

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e-pub ahead of print date: 16 November 2024
Keywords: Creative labour, cultural production, digital music economy, platforms, social media

Identifiers

Local EPrints ID: 496917
URI: http://eprints.soton.ac.uk/id/eprint/496917
PURE UUID: 11a18e88-4ea4-4adc-a881-235826321e40
ORCID for Steven Gamble: ORCID iD orcid.org/0000-0002-2823-3864

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Date deposited: 08 Jan 2025 12:49
Last modified: 22 Aug 2025 02:46

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Contributors

Author: Jason Ng
Author: Steven Gamble ORCID iD

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