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Hip-hop producer-hosts, beat battles, and online music production communities on Twitch

Hip-hop producer-hosts, beat battles, and online music production communities on Twitch
Hip-hop producer-hosts, beat battles, and online music production communities on Twitch
The livestreaming platform Twitch has become a home for online beat battle events, communalcompetitions among music producers which originated in hip hop culture. This paper investigates thefactors that led to the adoption of Twitch by beatmakers and the formation of communities based aroundparticipation in livestreamed events. We consider the event hosts crucial to establishing beat battles onTwitch, and define them as a new creative industry actor, the ‘producer-host’, whose novel culturalpractices combine several roles: performing artist, music production educator, event manager, livestreambroadcaster, and community manager. Drawing on 18 months of ethnography, active communityparticipation, and interviews with three producer-hosts, we analyse beat battles on Twitch to understandparticipants’ motivations and the consequences of these cultural interactions for music producercommunities. This article contributes to scholarship on expanding uses of livestreaming platforms anddebates around the democratisation and platformisation of cultural production.
1396-0466
Ng, Jason
39d2876a-9912-4e4f-bbd7-c6eb256d9f4a
Gamble, Steven
5c087d9b-e9b4-4a31-ae97-b25da3defb90
Ng, Jason
39d2876a-9912-4e4f-bbd7-c6eb256d9f4a
Gamble, Steven
5c087d9b-e9b4-4a31-ae97-b25da3defb90

Ng, Jason and Gamble, Steven (2022) Hip-hop producer-hosts, beat battles, and online music production communities on Twitch. First Monday, 27 (6). (doi:10.5210/fm.v27i6.12338).

Record type: Article

Abstract

The livestreaming platform Twitch has become a home for online beat battle events, communalcompetitions among music producers which originated in hip hop culture. This paper investigates thefactors that led to the adoption of Twitch by beatmakers and the formation of communities based aroundparticipation in livestreamed events. We consider the event hosts crucial to establishing beat battles onTwitch, and define them as a new creative industry actor, the ‘producer-host’, whose novel culturalpractices combine several roles: performing artist, music production educator, event manager, livestreambroadcaster, and community manager. Drawing on 18 months of ethnography, active communityparticipation, and interviews with three producer-hosts, we analyse beat battles on Twitch to understandparticipants’ motivations and the consequences of these cultural interactions for music producercommunities. This article contributes to scholarship on expanding uses of livestreaming platforms anddebates around the democratisation and platformisation of cultural production.

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e-pub ahead of print date: 4 June 2022
Published date: 6 June 2022

Identifiers

Local EPrints ID: 496918
URI: http://eprints.soton.ac.uk/id/eprint/496918
ISSN: 1396-0466
PURE UUID: 7e483b64-4cba-4ae2-bfc6-029a52648353
ORCID for Steven Gamble: ORCID iD orcid.org/0000-0002-2823-3864

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Date deposited: 08 Jan 2025 12:49
Last modified: 22 Aug 2025 02:46

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Contributors

Author: Jason Ng
Author: Steven Gamble ORCID iD

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