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Kevin Sanson, mobile Hollywood: labor and the geography of production

Kevin Sanson, mobile Hollywood: labor and the geography of production
Kevin Sanson, mobile Hollywood: labor and the geography of production
Mobile Hollywood is framed within critical media studies to provide a grounded, theorized and thoroughly researched account of how Hollywood’s global scale of blockbuster film and television production is an inherently heterogenous spatial enterprise by focusing on ‘the ways that screen media workers in different parts of the world engage with and are disrupted by the expanded geographic scale of Hollywood production’ (p. 3). Kevin Sanson’s new book proposes two particularly engaging approaches: theoretically, respatialization is conceived not as an inevitable outcome of Hollywood’s consolidation and concentration of power, but as a more fraught and contingent mode of production; methodically, Mobile Hollywood directs attention to the usually absent experiences of the media workers who are caught up in these shifting spatial dynamics.
0036-9543
618-620
Fernandez-Meneses, Jara
7087893d-ad52-4d34-a2da-ce81ad49cdef
Fernandez-Meneses, Jara
7087893d-ad52-4d34-a2da-ce81ad49cdef

Fernandez-Meneses, Jara (2024) Kevin Sanson, mobile Hollywood: labor and the geography of production. Screen, 65 (4), 618-620. (doi:10.1093/screen/hjae039).

Record type: Review

Abstract

Mobile Hollywood is framed within critical media studies to provide a grounded, theorized and thoroughly researched account of how Hollywood’s global scale of blockbuster film and television production is an inherently heterogenous spatial enterprise by focusing on ‘the ways that screen media workers in different parts of the world engage with and are disrupted by the expanded geographic scale of Hollywood production’ (p. 3). Kevin Sanson’s new book proposes two particularly engaging approaches: theoretically, respatialization is conceived not as an inevitable outcome of Hollywood’s consolidation and concentration of power, but as a more fraught and contingent mode of production; methodically, Mobile Hollywood directs attention to the usually absent experiences of the media workers who are caught up in these shifting spatial dynamics.

Text
Mobile Hollywood-Review - Accepted Manuscript
Restricted to Repository staff only until 1 December 2026.
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Published date: 1 December 2024

Identifiers

Local EPrints ID: 497453
URI: http://eprints.soton.ac.uk/id/eprint/497453
ISSN: 0036-9543
PURE UUID: 6593960d-8d4a-47c6-b186-9c9c78067c07
ORCID for Jara Fernandez-Meneses: ORCID iD orcid.org/0000-0002-0038-840X

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Date deposited: 23 Jan 2025 17:31
Last modified: 24 Jan 2025 03:07

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Author: Jara Fernandez-Meneses ORCID iD

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