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A multimodal investigation: epistemological implications from video art

A multimodal investigation: epistemological implications from video art
A multimodal investigation: epistemological implications from video art
In the field of organization studies, there has been a growing interest in utilizing visual artefacts as research constructs. This paper not only builds upon this research context but also critically examines the underlying assumptions regarding how empirical materials have been operationalized in our research practices, taking into account the associated methodological and epistemological issues that shape our approach to materiality. For this investigation, the paper poses a thought-provoking question: Can auditory elements, such as sound and music, be integrated as alternative representational modality, akin to the way visual artefacts play their roles in scholarly research? To further explore this question, this paper examines specific attributes of video art that utilize television as a medium, with a particular focus on the concept of “musicalizing” visual representation, manifesting “dynamic modality,” prompting further exploration of its epistemological aspects, beyond examining conventional modes of visuals and sounds.
2151-6561
Chai, Sunyu
0fdd17d0-d13d-48b0-9c28-209e393f6bc6
Chai, Sunyu
0fdd17d0-d13d-48b0-9c28-209e393f6bc6

Chai, Sunyu (2024) A multimodal investigation: epistemological implications from video art. Academy of Management Proceedings, 2024 (1). (doi:10.5465/AMPROC.2024.13711abstract).

Record type: Article

Abstract

In the field of organization studies, there has been a growing interest in utilizing visual artefacts as research constructs. This paper not only builds upon this research context but also critically examines the underlying assumptions regarding how empirical materials have been operationalized in our research practices, taking into account the associated methodological and epistemological issues that shape our approach to materiality. For this investigation, the paper poses a thought-provoking question: Can auditory elements, such as sound and music, be integrated as alternative representational modality, akin to the way visual artefacts play their roles in scholarly research? To further explore this question, this paper examines specific attributes of video art that utilize television as a medium, with a particular focus on the concept of “musicalizing” visual representation, manifesting “dynamic modality,” prompting further exploration of its epistemological aspects, beyond examining conventional modes of visuals and sounds.

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More information

e-pub ahead of print date: 9 July 2024
Published date: 1 August 2024

Identifiers

Local EPrints ID: 498235
URI: http://eprints.soton.ac.uk/id/eprint/498235
ISSN: 2151-6561
PURE UUID: 49ccfa2d-ed10-4d6f-a411-61a9f349ef69
ORCID for Sunyu Chai: ORCID iD orcid.org/0000-0002-7817-7469

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Date deposited: 12 Feb 2025 17:50
Last modified: 19 Aug 2025 02:06

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Author: Sunyu Chai ORCID iD

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