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An American in Paris (1951)

Record type: Book Section

The chapter appears in a collection of original critical essays that explores how the US understands itself by looking in detail at films that nominate 'America' in their title. It investigates the historical, political and industrial context for the making of the 1951 MGM musical 'An American in Paris', linking it to America's perceived postwar mission to intervene in the future of Europe through such initiatives as the Marshall Plan. Focusing on visual design, it argues that the film manifests a profound ambivalence towards relations between America and France that undermines expectations of genre conventions.

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Citation

Cook, Pam (2007) An American in Paris (1951) In, Merck, Mandy (eds.) America First: Naming the Nation in US Film. Abingdon, UK, Routledge pp. 105-122.

More information

Published date: February 2007
Additional Information: Focusing on visual design, the chapter explores the relationship of the 1951 MGM musical An American in Paris to its historical, political and industrial context, linking it to America's postwar mission to expand into Europe through such initiatives as the Marshall Plan.
Keywords: national identity, visual design in film, genre, transnational relationships and cultural exchange, history and politics, the musical

Identifiers

Local EPrints ID: 49850
URI: http://eprints.soton.ac.uk/id/eprint/49850
ISBN: 0415374960
PURE UUID: c3e66508-990d-451c-939b-1474cbd549e4

Catalogue record

Date deposited: 05 Dec 2007
Last modified: 17 Jul 2017 14:54

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Contributors

Author: Pam Cook
Editor: Mandy Merck

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