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The Cold War and random processes

The Cold War and random processes
The Cold War and random processes
The conversion of dynamic systems from impediments to strategic advantages played a substantial role in the U.S. military’s technological research and development during the Cold War. From signal interpretation with remote sensing systems to telecommunications to algorithms, media and information theory, harmonic systems, and even the weather, the unintended consequences of both dynamic systems in nature and technological attempts to control the same led to innovations and accidents, aesthetic developments and prediction advances that furnish large swaths of our current global sensorial domain. The role of randomness within complex dynamic systems accounts for the opportunities and impediments these systems offer. This article looks at a range of unlikely and seemingly disparate sites of technological development by the Department of Defense and national governmental propaganda projects during the Cold War, including electronic music, avant-garde composition, information theory and weather. The constant drive for superiority in C3I (command, control, communications and information) within the episteme that constituted Cold War thinking, discourse and institutions emerged in failed attempts at control, especially full-domain control, that provided unforeseen opportunities for aesthetic production and complex prediction modelling of natural forces.
Randomness, Causality, Dynamic Systems, Cold War Technology, Sound Labs, Artistic Production
2755-9785
Bishop, Ryan
a4f07e31-14a0-44c4-a599-5ed96567a2e1
Bishop, Ryan
a4f07e31-14a0-44c4-a599-5ed96567a2e1

Bishop, Ryan (2025) The Cold War and random processes. Poltics, Philosophy and Critique. (In Press)

Record type: Article

Abstract

The conversion of dynamic systems from impediments to strategic advantages played a substantial role in the U.S. military’s technological research and development during the Cold War. From signal interpretation with remote sensing systems to telecommunications to algorithms, media and information theory, harmonic systems, and even the weather, the unintended consequences of both dynamic systems in nature and technological attempts to control the same led to innovations and accidents, aesthetic developments and prediction advances that furnish large swaths of our current global sensorial domain. The role of randomness within complex dynamic systems accounts for the opportunities and impediments these systems offer. This article looks at a range of unlikely and seemingly disparate sites of technological development by the Department of Defense and national governmental propaganda projects during the Cold War, including electronic music, avant-garde composition, information theory and weather. The constant drive for superiority in C3I (command, control, communications and information) within the episteme that constituted Cold War thinking, discourse and institutions emerged in failed attempts at control, especially full-domain control, that provided unforeseen opportunities for aesthetic production and complex prediction modelling of natural forces.

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The Cold War and Random Processes Accepted Version - Accepted Manuscript
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Accepted/In Press date: 25 April 2025
Keywords: Randomness, Causality, Dynamic Systems, Cold War Technology, Sound Labs, Artistic Production

Identifiers

Local EPrints ID: 502513
URI: http://eprints.soton.ac.uk/id/eprint/502513
ISSN: 2755-9785
PURE UUID: 00bd87c8-2d42-4f59-a807-95d7c3e0bf2e

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Date deposited: 27 Jun 2025 16:46
Last modified: 07 Aug 2025 04:01

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