Staging the wreckage: special issue of Performance Research
Staging the wreckage: special issue of Performance Research
From the destruction of the Twin Towers in 2001, to the devastation of the Indian Ocean tsunami in 2004, to the images of the current refugee crisis and recent terrorist atrocities, the early twenty-first century has witnessed increased media interest in showing all kinds of wreckage to a global audience. While these particular examples are captured in images of the debris and detritus of a catastrophe, there has also been a significant turn, particularly in the UK, to the descriptions and linguistic performances of emotional and psychological wreckage, from the victims of various high-profile sexual grooming and abuse cases, to survivors and witnesses of other events. Wreckage is also increasingly made available through the rise of television dramas that deal with violence and representations of its aftermath.
Staging the Wreckage considers how theatre can call on ‘stagings of wreckage’ to show the labour of performance, the inevitable failure of representation and the disasters immanent in human relations. Beyond explorations of theatrical wrecks and wreckage, this issue brings together international scholars and artists who explore the performativity of wreckage, its sites, politics and ‘practices’, in essays, provocations and artists pages.
Duggan, Patrick
d6708da8-fc8f-490c-9005-fd8302295999
Bouchard, Gianna
688e0236-c917-42a1-962e-bb653406d308
4 July 2019
Duggan, Patrick
d6708da8-fc8f-490c-9005-fd8302295999
Bouchard, Gianna
688e0236-c917-42a1-962e-bb653406d308
Duggan, Patrick and Bouchard, Gianna
(eds.)
(2019)
Staging the wreckage: special issue of Performance Research.
Performance Research, 24 (5).
Abstract
From the destruction of the Twin Towers in 2001, to the devastation of the Indian Ocean tsunami in 2004, to the images of the current refugee crisis and recent terrorist atrocities, the early twenty-first century has witnessed increased media interest in showing all kinds of wreckage to a global audience. While these particular examples are captured in images of the debris and detritus of a catastrophe, there has also been a significant turn, particularly in the UK, to the descriptions and linguistic performances of emotional and psychological wreckage, from the victims of various high-profile sexual grooming and abuse cases, to survivors and witnesses of other events. Wreckage is also increasingly made available through the rise of television dramas that deal with violence and representations of its aftermath.
Staging the Wreckage considers how theatre can call on ‘stagings of wreckage’ to show the labour of performance, the inevitable failure of representation and the disasters immanent in human relations. Beyond explorations of theatrical wrecks and wreckage, this issue brings together international scholars and artists who explore the performativity of wreckage, its sites, politics and ‘practices’, in essays, provocations and artists pages.
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Published date: 4 July 2019
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Local EPrints ID: 503053
URI: http://eprints.soton.ac.uk/id/eprint/503053
ISSN: 1352-8165
PURE UUID: b2f35263-64b5-4c4c-b425-ec718f1ded93
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Date deposited: 17 Jul 2025 16:54
Last modified: 19 Jul 2025 02:21
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Contributors
Editor:
Patrick Duggan
Editor:
Gianna Bouchard
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