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Musique, journalisme et justice sociale: Paris entre les révolutions (1830-1851)

Musique, journalisme et justice sociale: Paris entre les révolutions (1830-1851)
Musique, journalisme et justice sociale: Paris entre les révolutions (1830-1851)

One way of propagating the philosophy of Jean-Baptiste Joseph Fourier was by means of two periodicals: La Phalange, published from 1836 to 1843, and La Démocratie pacifique, published from 1843 to its termination during the early Second Empire in November 1851. From the start, these publications proposed not only reports on the latest concerts and stage events, but also more discursive essays on the subject of music. Beginning in 1838, the critic Allyre Bureau was central to this activity. He wrote two articles a month during the following decade and beyond. The texts by Bureau and his colleagues in La Phalange and La Démocratie pacifique brought together music and Fourier’s philosophy. This article analyzes these rapprochements and the social and musical discourse deployed in both publications.

Fourierism, Jean-Baptiste Joseph Fourier, La Démocratie pacifique, La Phalange, Music and social ideas
1189-4563
13-42
Everist, Mark
54ab6966-73b4-4c0e-b218-80b2927eaeb0
Everist, Mark
54ab6966-73b4-4c0e-b218-80b2927eaeb0

Everist, Mark (2025) Musique, journalisme et justice sociale: Paris entre les révolutions (1830-1851). Tangence, 137 (137), 13-42. (doi:10.7202/1118524ar).

Record type: Article

Abstract

One way of propagating the philosophy of Jean-Baptiste Joseph Fourier was by means of two periodicals: La Phalange, published from 1836 to 1843, and La Démocratie pacifique, published from 1843 to its termination during the early Second Empire in November 1851. From the start, these publications proposed not only reports on the latest concerts and stage events, but also more discursive essays on the subject of music. Beginning in 1838, the critic Allyre Bureau was central to this activity. He wrote two articles a month during the following decade and beyond. The texts by Bureau and his colleagues in La Phalange and La Démocratie pacifique brought together music and Fourier’s philosophy. This article analyzes these rapprochements and the social and musical discourse deployed in both publications.

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More information

Published date: 1 April 2025
Alternative titles: Music, Journalism and Social Justice: Paris between the revolutions (1830-1851)
Keywords: Fourierism, Jean-Baptiste Joseph Fourier, La Démocratie pacifique, La Phalange, Music and social ideas

Identifiers

Local EPrints ID: 503971
URI: http://eprints.soton.ac.uk/id/eprint/503971
ISSN: 1189-4563
PURE UUID: 7cf91852-273b-4be4-86fe-75f30d705fe5

Catalogue record

Date deposited: 19 Aug 2025 17:05
Last modified: 15 Jan 2026 17:54

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