Analysis of the Performance of Beethoven’s Piano Sonatas Composed Between 1798 and 1804 (Op.13 to Op.54)

Abstract

This study aims to conduct an in-depth analysis of the performance recordings of 13 piano sonatas composed by Beethoven between 1798 and 1804 (Op. 13 to Op. 54), exploring the evolution over time of the performance styles of eight pianists from the 20th to the early 21st century in terms of tempo. This thesis first introduces the key collected and analytical methods of data used in this study, consisting of Vmus graphs and colour-coded spreadsheets. Subsequently, it explores the historical background of tempo treatment in 19th century performances, providing a context for the following analysis of performance styles. Then, this thesis continues by comparing and analysing the average tempo used by eight pianists in different phrases and segments of these works, providing a comprehensive interpretation of the variation of performance styles during this period. The analysis is mainly focused on three aspects, including the degree of acceleration, treatment of metronome mark, and trend analysis based on colour-coded spreadsheet. Meanwhile, this study investigates the individual characteristics of each pianist regarding tempo treatment. Finally, from the two perspectives, namely integrating historical performance methods with modern practices and innovative performance approaches, the author discusses how to create a Beethoven style that is consistent with contemporary aesthetics for today's audiences, demonstrating the potential for new interpretations of historical works in both the present and future.

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ORCID for David Owen Norris: orcid.org/0000-0002-7157-7523

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