Can the Museum Liberate Us?
Can the Museum Liberate Us?
An invited paper presented at the symposium "Art and Decolonization" held at the Museu de arte de São Paulo Assis Chateaubriand (MASP) on 18th and 19th October 2018. During the early 1970s calls to revise, resist or transform the nineteenth century European model of the museum as it expanded itself throughout the world gathered significant momentum. The 1972 International Council of Museums (ICOM) roundtable in Santiago de Chile, inspired by the Latin American political project of “liberation” called for a museum that was integral to the communities it served. The legacy of these debates, now gathered under the label of “New Museology”, has expanded at the same rate as it has been depoliticised. This presentation attempts to distil a different legacy out of the writings of Brazilian museologist Odalice Priosti and her elaboration of a “Museology of Liberation”. Drawing from her insights, the presentation asks what resources such an understanding of what a museum should do could offer to contemporary attempts to “decolonize” art institutions.
Hernández Velázquez, Yaiza María
2f2fec57-3100-440b-a35e-776f00d6cb8c
19 October 2018
Hernández Velázquez, Yaiza María
2f2fec57-3100-440b-a35e-776f00d6cb8c
Hernández Velázquez, Yaiza María
(2018)
Can the Museum Liberate Us?
Art and Decolonization, Museu de arte de São Paulo Assis Chateaubriand (MASP), São Paulo, Brazil.
18 - 19 Oct 2018.
Record type:
Conference or Workshop Item
(Paper)
Abstract
An invited paper presented at the symposium "Art and Decolonization" held at the Museu de arte de São Paulo Assis Chateaubriand (MASP) on 18th and 19th October 2018. During the early 1970s calls to revise, resist or transform the nineteenth century European model of the museum as it expanded itself throughout the world gathered significant momentum. The 1972 International Council of Museums (ICOM) roundtable in Santiago de Chile, inspired by the Latin American political project of “liberation” called for a museum that was integral to the communities it served. The legacy of these debates, now gathered under the label of “New Museology”, has expanded at the same rate as it has been depoliticised. This presentation attempts to distil a different legacy out of the writings of Brazilian museologist Odalice Priosti and her elaboration of a “Museology of Liberation”. Drawing from her insights, the presentation asks what resources such an understanding of what a museum should do could offer to contemporary attempts to “decolonize” art institutions.
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Published date: 19 October 2018
Venue - Dates:
Art and Decolonization, Museu de arte de São Paulo Assis Chateaubriand (MASP), São Paulo, Brazil, 2018-10-18 - 2018-10-19
Identifiers
Local EPrints ID: 507271
URI: http://eprints.soton.ac.uk/id/eprint/507271
PURE UUID: 940e0e67-45de-4334-8ee7-1f94d9431c15
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Date deposited: 02 Dec 2025 18:09
Last modified: 03 Dec 2025 03:10
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Contributors
Author:
Yaiza María Hernández Velázquez
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