Remote rhythms: audience-informed insights for designing remote music performances
Remote rhythms: audience-informed insights for designing remote music performances
This paper examines the design of technology for remote music performances, from the perspective of their audiences. In this process, we involved a total of 104 participants across the different stages of our project. Initially, we collected qualitative data from remote audiences using several methods, including surveys, interviews, and observations. Through the thematic analysis of this data, we identified four design dimensions consisting of 17 key elements that illustrate what audiences value in remote music spaces. We applied these insights in a participatory design workshop with diverse stakeholders, contributing to the development of speculative design ideas in this field. The paper concludes by presenting key design insights for future technology advancements in remote music performances. The research contributes to the evolving design space of remote music performances, offering valuable perspectives for researchers, designers, and industry stakeholders.
2675-2690
Association for Computing Machinery
Ppali, Sophia
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Scorer, Max
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Ppali, Elena
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Branch, Boyd
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Covaci, Alexandra
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Le Dantec, Christopher A.
1 July 2024
Ppali, Sophia
f3ea6eb2-703d-44b2-811b-2be74a953c08
Scorer, Max
c1a9949a-2ec2-4d3c-a18d-6034fe346c9a
Ppali, Elena
944f284b-7b34-4a7f-bacc-99c2c4f03bbb
Branch, Boyd
bbb7087d-b430-43a1-b17e-2dcc56644525
Covaci, Alexandra
351d23f7-1172-40cf-acf6-9abcf3bc0664
Le Dantec, Christopher A.
Ppali, Sophia, Scorer, Max, Ppali, Elena, Branch, Boyd and Covaci, Alexandra
(2024)
Remote rhythms: audience-informed insights for designing remote music performances.
Vallgårda, Anna, Jönsson, Li, Fritsch, Jonas, Fdili Alaoui, Sarah and Le Dantec, Christopher A.
(eds.)
In DIS '24: Proceedings of the 2024 ACM Designing Interactive Systems Conference.
Association for Computing Machinery.
.
(doi:10.1145/3643834.3660719).
Record type:
Conference or Workshop Item
(Paper)
Abstract
This paper examines the design of technology for remote music performances, from the perspective of their audiences. In this process, we involved a total of 104 participants across the different stages of our project. Initially, we collected qualitative data from remote audiences using several methods, including surveys, interviews, and observations. Through the thematic analysis of this data, we identified four design dimensions consisting of 17 key elements that illustrate what audiences value in remote music spaces. We applied these insights in a participatory design workshop with diverse stakeholders, contributing to the development of speculative design ideas in this field. The paper concludes by presenting key design insights for future technology advancements in remote music performances. The research contributes to the evolving design space of remote music performances, offering valuable perspectives for researchers, designers, and industry stakeholders.
Text
3643834.3660719
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Published date: 1 July 2024
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Local EPrints ID: 508479
URI: http://eprints.soton.ac.uk/id/eprint/508479
PURE UUID: a272cd84-a857-427e-a126-96f288025d21
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Date deposited: 23 Jan 2026 17:34
Last modified: 24 Jan 2026 03:27
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Contributors
Author:
Sophia Ppali
Author:
Max Scorer
Author:
Elena Ppali
Author:
Boyd Branch
Author:
Alexandra Covaci
Editor:
Anna Vallgårda
Editor:
Li Jönsson
Editor:
Jonas Fritsch
Editor:
Sarah Fdili Alaoui
Editor:
Christopher A. Le Dantec
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