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Acts of memory in postcolonial literature: a study of Mamang Dai’s Poems from River Poems (2004)

Acts of memory in postcolonial literature: a study of Mamang Dai’s Poems from River Poems (2004)
Acts of memory in postcolonial literature: a study of Mamang Dai’s Poems from River Poems (2004)
The way memory works can be painful or restorative but always a dynamic process of seeking, recollecting and re-making. Memories act as cultural repositories and play a significant role in identity construction. What we are and know depends on what we remember, and the past is often revisited and re-imagined to suit the present context. In her poems, Mamang Dai creates a counter-memory of Arunachal Pradesh against India's official memory and advocates for an ethnic attachment to ecology, myths and oral narratives of the past. This essay explores the significance of memory, its types and
functions, notes Mamang Dai's descent into the depths of historical memory to excavate individual voices, and explore collective memories and cultural traumas. This paper uses the methods and theories of memory studies to investigate the complex relation between memory and postcolonial literature
while analysing and interpreting the multi-layered deployment of memory in Mamang Dai’s poems from her poetry collection, River Poems (2004).
2583-7974
86
Sachan, Bhavika
39d5bb56-c88a-495e-86e6-aac5ddc8c496
Sachan, Bhavika
39d5bb56-c88a-495e-86e6-aac5ddc8c496

Sachan, Bhavika (2023) Acts of memory in postcolonial literature: a study of Mamang Dai’s Poems from River Poems (2004). Deshbandhu Journal of Social Sciences, 1 (2), 86.

Record type: Article

Abstract

The way memory works can be painful or restorative but always a dynamic process of seeking, recollecting and re-making. Memories act as cultural repositories and play a significant role in identity construction. What we are and know depends on what we remember, and the past is often revisited and re-imagined to suit the present context. In her poems, Mamang Dai creates a counter-memory of Arunachal Pradesh against India's official memory and advocates for an ethnic attachment to ecology, myths and oral narratives of the past. This essay explores the significance of memory, its types and
functions, notes Mamang Dai's descent into the depths of historical memory to excavate individual voices, and explore collective memories and cultural traumas. This paper uses the methods and theories of memory studies to investigate the complex relation between memory and postcolonial literature
while analysing and interpreting the multi-layered deployment of memory in Mamang Dai’s poems from her poetry collection, River Poems (2004).

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Published date: 1 December 2023

Identifiers

Local EPrints ID: 509991
URI: http://eprints.soton.ac.uk/id/eprint/509991
ISSN: 2583-7974
PURE UUID: 91eef5df-c8b0-43d5-86f4-302b7e0bc020
ORCID for Bhavika Sachan: ORCID iD orcid.org/0009-0009-6632-7544

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Date deposited: 12 Mar 2026 17:58
Last modified: 13 Mar 2026 03:15

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Author: Bhavika Sachan ORCID iD

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