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Inside film bazaar: transnational practices, politics and precarity

Inside film bazaar: transnational practices, politics and precarity
Inside film bazaar: transnational practices, politics and precarity
This article focuses on the underrepresented node behind India’s contemporary independent film culture and its international developments: Film Bazaar, which has been organized by the National Film Development Corporation (NFDC) since 2007 in Goa. It explores the political-economic tensions, creative management strategies, and work culture inside the Bazaar through an innovative approach that combines insights from media industries studies and film festival scholarship, alongside in-depth personal interviews, auto-ethnography, participant observations, and archival research. In doing so, it positions the work world of the NFDC Bazaar and its lesser-known creative workers within India’s larger neoliberal-nationalist industrial structures. The Bazaar, in turn, emerges as a contested, fragmented space with an uncertain future, impacting India’s independent film culture and undermining its larger position within transnational film festival cultures.
1740-0309
Bhatia, Neha
0d51fb40-5b44-4b74-bb51-3ff7d5c360ce
Bhatia, Neha
0d51fb40-5b44-4b74-bb51-3ff7d5c360ce

Bhatia, Neha (2025) Inside film bazaar: transnational practices, politics and precarity. New Review of Film and Television Studies. (In Press)

Record type: Article

Abstract

This article focuses on the underrepresented node behind India’s contemporary independent film culture and its international developments: Film Bazaar, which has been organized by the National Film Development Corporation (NFDC) since 2007 in Goa. It explores the political-economic tensions, creative management strategies, and work culture inside the Bazaar through an innovative approach that combines insights from media industries studies and film festival scholarship, alongside in-depth personal interviews, auto-ethnography, participant observations, and archival research. In doing so, it positions the work world of the NFDC Bazaar and its lesser-known creative workers within India’s larger neoliberal-nationalist industrial structures. The Bazaar, in turn, emerges as a contested, fragmented space with an uncertain future, impacting India’s independent film culture and undermining its larger position within transnational film festival cultures.

Text
Inside Film Bazaar_Anonymous - Accepted Manuscript
Restricted to Repository staff only until 28 August 2026.
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More information

Accepted/In Press date: 28 February 2025

Identifiers

Local EPrints ID: 510083
URI: http://eprints.soton.ac.uk/id/eprint/510083
ISSN: 1740-0309
PURE UUID: e2f4b717-77db-470a-9c05-645f30de9c1e
ORCID for Neha Bhatia: ORCID iD orcid.org/0000-0003-2129-3407

Catalogue record

Date deposited: 17 Mar 2026 17:37
Last modified: 28 Mar 2026 03:21

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Contributors

Author: Neha Bhatia ORCID iD

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